at a wedding, oils on stretched canvas, 24×20, finishing the details in the studio. The plein air painting captured the basics, but I needed to tie the composition together better in the studio, which made it quite a bit more formal, and I corrected the proportions of the figures. I scumbled the chandelier, which I had greatly exaggerated on purpose because it set the tone for the scene, and I softened the white curtain behind the couple to create a glow around them, with the foliage creating a heart-shape over their heads.
I enjoy painting at weddings. It is a command performance, so I have butterflies when I first start, but they disappear soon after I start painting. Typically I have contact with the bride’s mother or the bride or couple as much as a year ahead of time, which gives me plenty of time to find out their relative heights, the location of the venue, their colors and styles of clothing, their flower colors, etc. I have a page on my website dedicated to event painting called Weddings, Etc.
Several years ago I was asked to paint the bride and groom’s First Dance at their wedding reception. That first request blossomed into more as word got out. I have dedicated a page on my website to Weddings & Live Event Painting.
Last fall I painted at a beautiful wedding which was held outdoors in front of a magnificent private mansion. The weather was gorgeous, the light exactly mirroring the day before when I had visited the site to work out the details with the wedding planner. I arrived about an hour early, so my painting was well underway by the time the first guests arrived. A trio played classical music behind me, to the accompaniment of the splashing sound of the beautiful marble fountain beside me, and pre-wedding cocktails encouraged the convivial atmosphere. Guests looked over my shoulder as I continued to structure the mansion, cheating the color towards the warm glow I knew would be present at the moment I was asked to capture, which would be the bride’s father escorting the bride to her wedding. (I had taken a few reference photos of the wedding planner standing approximately where I thought the bride and her father would be walking, so that I had an idea of scale when I started the painting.) Continue reading Joan Vienot, Live Event Painter
In a dispassionate sense, plein air painting is documentation of what the artist sees and experiences. I’ve heard workshop instructors use the word documentation. I have used the word to describe the business of keeping records, the primary purpose being to have a defense if someone were to question actions taken. In business, record-keeping is such a necessary evil, that it is difficult to apply the same word to something so joyful as plein air painting. For the most part, I am a truth-seeker, not just about what I see, but about what I perceive, stretching from the mundane to the eternal questions of the universe, of which many are closer to being answered by the time a plein air painting is finished!
Sometimes I like to sit with a plein air painting after I bring it home, and ponder whether or not I want to add a detail or two in the studio, to improve the composition, or the legibility, or the impact. Usually I leave it as is, preferring the spontaneity of expression to accuracy or finesse.
Below is an 8 x 10 I painted yesterday evening, in our county seat, DeFuniak Springs, Florida. There is an old clock on the street corner, with the name of the bank cast into its housing, that fascinated me, with the evening light creating an interesting combination of oddly colorful pastels in the background building and the street. The colors were particularly appealing to me. As sundown approached, the yellows and pinks became more and more intense. It was fun — I would like to go back and paint this scene again.
Earlier in the week I painted with the Emerald Coast Plein Air Painters at Eden Gardens State Park in Point Washington, Florida. It is one of our favorite places to paint, with a restored antebellum mansion central to the gardens and massive, Spanish-moss bedecked live oak trees. We had received a good bit of rain as a tropical storm passed south of us in the Gulf of Mexico, and that rain revived the resurrection fern decorating the live oak trees with bright yellow-green new growth. The day was clear but the summer heat made it seem hazy, so I avoided the temptation to detail anything, and instead let the awkward shapes of the trees merely serve as a framework for the fern.
I live on a gorgeous section of the Gulf Coast, with beaches of sugar-white sand so fine it squeaks underfoot like dry snow. This mansion at Eden Gardens is second only to the beach, as a popular venue for weddings. I have painted at several receptions, and have acquired a domain which redirects to a page on my website set aside for my work for weddings: www.30AWeddingPainter.com. 30A is the beach highway where I live, and has become a geographic identifier for the area. I decided to start marketing that work, so a couple of days ago I created a 30A Wedding Painter Facebook Page. I hope to have more to report soon!