Painting Trips and Events – Too Busy to Blog

October 28, 2016 in Landscape, Plein Air

My art/life vision is starting to manifest. A few years ago, after more than 30 years in a non-art career, I began to get a serious itch to be done with that work so that I could paint more. I continued to paint just once a week, and often blogged weekly, and late last year I sold my business. Now, I am lucky if I can get a blog written once a month, because I am painting so much more.

Oil painting of the colorful foreground brush on a rainy day at Grayton Beach State Park in FloridaThere often is a social element to painting en plein air, several artists painting together, working silently most of the time, but supportively interacting before and after painting. I find I enjoy that aspect immensely. It can take the sting out of challenging experiences, and it can reinforce the successful ones. The former was the case when 4 of us painted at Coastal Dune Lake Appreciation Day at Grayton Beach State Park in September. The weather was threatening, and the food vendor left soon after the festival started. There event was not very well attended, and our pavilion became the gathering place for the few die-hard sponsors and supporters. But we had each other, and that kept us there painting through the drizzle. At right is the painting I completed, showing the rich reds underneath the near grasses and bushes, and the beach dunes in the background.

I also enjoyed my first plein air painters trip that was independent of any festival or workshop. Three of us went to the mountains of North Georgia and North Carolina to paint for half a week. Our host, Theresia McInnis, had researched and mapped out a number of wonderful, scenic locations for us to paint, and we were absolutely in heaven. Below are the paintings I completed on that trip. I am happy to report that the painting titled Dry Falls sold to a tourist right off my easel.

Oil painting at Dry Falls, NC, painted en plein air

Dry Falls, NC

Oil painting of the pizza shack on the Nantahala River, North Carolina

 

 

 

 

 

 

 

 

 

 

Oil painting of cone flowers on the porch, Murphy, North CarolinaOil painting of the autumn gold trees lining the Nantahala River, in North CarolinaOil painting of the bridge at Vogle State Park, with the rocky, reflective creek underneath early autumn colors

 

 

Bagdad-Milton Paint-Out 2016: Best in Show, Joan Vienot

October 2, 2016 in Landscape, Plein Air

2016-1001-anticipation-with-frame-and-ribbon

Click to enlarge

The annual Bagdad-Milton (near Pensacola, FL) plein air “paint-out” was Saturday, October 1, 2016. I was honored to win Best in Show. The judge was Fred Myers, retired professor of Fine Art (University of Northern Colorado, my alma mater). He said that he initially judges art on two primary  qualities — Does it invite you in? And does it have unity? The exhibit of plein air paintings produced that day will hang at the Santa Rosa Arts and Culture Foundation’s Dragonfly Gallery at 6815 Caroline Street in Milton, FL 32570 until November 11, 2016.

Gallerist Sally Miller invited the Pensacola area plein air painters to tour interesting scenes in Milton and Bagdad the day before the event.

Both days were exceptional, a clear and sunny 62° in the morning and 80° midday. Before painting, all artists were asked to go to the gallery first, have theirr blank canvases stamped to certify that the canvases indeed were blank, and then everyone went out to paint. I chose to paint at the Bagdad Boat Landing, one of the many locations we had visited on Friday. There were many possible scenes there. pink-and-blue-chairsThe one I had liked on midmorning on Friday, two chairs on a dock walkway, backed by kayaks and a ton of nautical stuff under a house, did not have the same light early Saturday, so I looked again at the flower-lined fenced entryway to a house, the view from the private dock, and finally, a neighboring yard where a big bull mastiff glared and barked at me from the other side of the fenced until he figured out I wasn’t going away. We were friends by the time I finished painting.

I am working with a new, smaller, James Coulter palette, and I am leaving my leftover paints in the palette, stowing it in the freezer at night. The paints are staying workable for longer than they would if I didn’t keep them in the freezer, but even so, I often find them at different consistencies the next time I use the palette. That was certainly true on Saturday, but once I start painting en plein air, it seems like the challenges just become part of the process. More than once it occurred to me to scrape out the old paint and squeeze new paint onto my palette, but somehow that seemed like it would take up too much valuable time. I was painting on a larger canvas than I usually use, 12 x 24, and I knew I had a lot to cover, so I hung in there with the less than ideal paint, finishing at the stroke of noon, right on time. It took six minutes to pack up and go, 8 minutes to drive back to the gallery, and 15 minutes to unload and frame and wire my painting, turning it in at the last minute, at 12:30, for the judging.

Below is my painting as completed there in the paint-out.

Oil painting of a boat in a grassy yard with the play of light under oak trees on the waterfront of a bay

Click for purchase information form.

 

Plein Air Painting in the Heat

July 23, 2016 in Landscape, Plein Air

Oil painting of pitcher plants painted en plein air at the E.O. Wilson Biophilia Center in Freeport, FLHeat index is a calculation combining actual temperature with humidity, the result being what the temperature actually feels like, and a good gauge of the stress one suffers in the environment. Plein air painters paint in the open air, so they regularly subject themselves to extreme weather, often without realizing it, since they are absorbed in painting. That was the case when I painted with the Emerald Coast Plein Air Painters at the E. O. Wilson Biophilia Center near Freeport, FL, this week. We were met by our most gracious guide, Laura Leslie-Sell, herself an artist, who took us on a short tour of the nearby grounds, showing us an old house on the property, with fat, happy, free-range chickens scratching in the dirt, and the tortoise area, where we saw numerous gopher tortoise burrows, and then through the hammock and down towards the creek, and finally back up past the rescued eagle, hawk, and bobcats. Also on the grounds, too distant to trek to, is a large bog filled with pitcher plants, a carnivorous plant that has fascinated me since I saw them for the first time when I moved to Florida years ago. Laura showed us a small patch the Center had for display purposes, and I decided they would be my subject for the day.

Back to the heat index… I set up my umbrella and easel and got to work on my pitcher plants. The shape of the pitcher plant is what interests me the most, a slender tube with a flap suspended over the top, inviting insects to come in to be dinner. With so many grouped together, they presented quite the challenge with the brush size I was using. I thoroughly enjoyed myself. But when it grew time for our soft critique and I began picking up my paints, I discovered that slight bit of disorientation I know is my first symptom of heat stress. I checked my weather app on my phone: the heat index was 107 degrees!!! I had known it was a scorcher; I had drank my refillable bottle of water and the can of LaCroix that I had brought but clearly it was hotter than I was able to endure for much longer. I quickly cleaned up and set out to find the other painters, to check on them. They all seemed fine, and one was painting on the shady front porch of the Center, where the air was moving a little bit. I was reminded of an instructor who said, regarding scene selection, that first she finds a nice, shady place, sets up her easel and palette, and then she turns around in a circle and looks for something to paint. That’s the wisdom of experience!

It’s a Busy Month!

January 17, 2016 in General, Plein Air

Solo show PCB 1-2016

 

Here’s the line-up:

January 11 – March 11, 2016: Solo exhibition, Panama City Beach, FL. Beach Art Group is presenting an exhibition of oil paintings by Joan Vienot, winner of People’s Choice Best in Show at the 2015 Local Color Plein Air Festival paint-out. The exhibit will be displayed at Palms Conference Center in Panama City Beach from January 11 to March 11, 2016. Meet the artist at the reception, February 7, from 2:00 to 5:00 pm. Call Helen Ballance at (850) 541-3867 for other viewing times. http://www.beachartgroup.com/exhibitions–events.html

January 23 – March 4, 2016, with opening reception January 23, 6:00 – 8:00 pm: ADSO Southeast Regional Juried Art Show. All 3 of Joan’s submissions were accepted into this prestigious exhibition. http://www.mattiekellyartscenter.org/EventItem.cfm?ID=1038. 1/31/16 addendum: The judge awarded “Western Lake with Umbrella Trees” third place!!

January 29-30, 2016: Florida Chautauqua Assembly Plein Air Painting Workshop, Joan Vienot, Instructor. This workshop will provide new insight to accomplished painters, and courage for the beginner, with focus on simplification of subject matter, using value and intensity to create believable composition, and enhancement of color through temperature relationship. Joan will instruct in oil painting but all media are welcome. An optional half-day pre-workshop, January 28, 2016, will help the painter decide how to choose a subject to paint en plein air, observing the changing light and shadow, practicing “thumbnail” sketching, and planning interesting compositions. http://www.florida-chautauqua-center.org/assembly_2016/art_program_2016; Supply list at https://www.dropbox.com/s/vqk9u2fuzxe8n38/Workshop%20Description.pdf?dl=0. Joan also will be displaying a few select paintings in the Chautauqua Art Show. 1/31/16 addendum: 10 plein air painters enjoyed 2 beautiful sunny days of instruction! Click here for a photo of her demonstrating.

January, 2016 and thereafter: DeFuniak Springs Art Co-op, 9th and Baldwin, DeFuniak Springs, FL  32433. Joan is showing 10 paintings. https://www.facebook.com/defuniakspringsartcoop

February 1-29, 2016: Joan will be the Freeport Art League Artist of the Month, displaying paintings at Freeport City Hall during the month of February, at 112 FL Hwy 20, Freeport, FL 32433. https://www.facebook.com/FreeportArtLeague/

I hope you can spend some time at one or more of these events! There’s nothing like actually seeing the art in person. I try to take good photos of my work for this website, but a camera cannot ever completely capture the intensities and true color relationships the way that the human eye can. I look forward to seeing you!   ~ Joan Vienot

Too Busy to Blog!

December 12, 2015 in Landscape, Photography, Plein Air

It’s been a hectic two months. I will summarize with pictures.

In early November, I painted with the Emerald Coast Plein Air Painters at Bruce Cafe. We also had painted there last May, but I didn’t finish that painting. After we went back and painted there in November, I realized I just needed a few more dashes of color to finish capturing the essence on the May painting, so I finished it in the studio. Below are both paintings.

Oil painting of Bruce Cafe, Bruce, Florida

Bruce Cafe, November 2015

Oil painting of Bruce Cafe, in Bruce, Florida

Bruce Cafe, May, 2015

The next week we painted at Alaqua Animal Refuge. I had a lot of help from the young horses there. (Click on images for a larger view.)

Oil painting of the willow and pond by the entrance road at Alaqua Animal Refuge, Portland, FL

Click painting for purchase information.

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Early the next morning, very early, at 3 AM, I got up to get ready to help Helen Ballance with a television interview for the 2015 Local Color Plein Air Festival in Lynn Haven, Florida, an hour drive from my home. Paris Janos, WJHG Channel 7, was at Roberts Hall to talk with Helen about the festival, and I was one of two plein air painters providing color by painting during the multiple interview spots. It was dark when I started, so for the first time ever, I started with a black canvas. I struggled — the streetlight was stronger than my palette lamp. Things improved when first light hit the bank. Below is my painting, and my own part in the interview is at http://www.wjhg.com/news/newschannel7today/headlines/Color-Plein-Art-Festival-346679182.html.

Oil painting o Lynn Haven Bank & Trust, painted early morning en plein air for TV publicity for Local Color Plein Air Festival 2015

Click painting for purchase information.

The actual paint-out and festival was two days later, at Roberts Hall in Lynn Haven. To my pleasant surprise, I won People’s Choice Best in Show, which included a check for $300 and a solo show at Palms Conference Center in Panama City Beach in late January and February, 2016. Below is a [glare-y] photo of my painting a shot of how I look after an afternoon of competitive plein air painting, ha!

Oil painting of the light edging the potted flowers outside Victoria's Restaurant, Lynn Haven Florida, winner of People's Choice Best in Show at Local Color Plein Air Festival

Apologies for the glare on the photo!

Joan Vienot with People's Choice Best in Show award at Local Color Plein Air Festival, Lynn Haven, FL,November 14, 2015
Photo of People's Choice Best in Show painting at 2015 Local Color Plein Air Festival, Lynn Haven, FL

12122615_1118243564860829_737914790070585022_nMeanwhile, other activities included collecting images from local artists for a fundraiser calendar, and coordinating with the printer (message me if you want one — $12 each), images at https://www.dropbox.com/sh/eq37g61gzmezupv/AACTHegCiNwOz0lT9iXP9gD3a?dl=0;

Working on a new map for the hiking trails for Friends of Camp Helen State Park (watercolor and lots of graphics work);

Painting en plein air, completed in studio, at a big wedding reception (can’t post a pic yet, because it’s still drying — the owner gets to see it first);

Starting a little arthritis maintenance which may slow me down a little next year  😥  ;

Agreeing to teach a 2-day Plein Air Painting Workshop at the Florida Chautauqua Assembly January 29 and 30, 2016, with a half-day pre-workshop on Selecting a Plein Air Subject, details at Joan Vienot Plein Air Workshop;

And receiving notification that all three of my entries have been accepted juried into the Southeast Regional Art Exhibition at the Mattie Kelly Arts Center in Niceville in January and February. Yippee!!! Below are the images I submitted, two plein air paintings and one photograph:

Oil painting of the slash pines forming the iconic "umbrella trees' of Western Lake at Grayton Beach, FL, painted en plein air
Oil painting of the train depot and tracks at DeFuniak Springs, FL, facing east Vienot2 Lady Louise photography

I’m also pleased that my three submissions to the Cultural Arts Alliance of Walton County’s A+Art “One Size Fits All” have sold. Below are those images — two using photographic transfer onto the 10×10 panels, and the third a plein air painting floated in the 10×10 panel reversed, using it as a frame. The photographic images remain available if you would like a print.

Photo of the sunrise over the Choctawhatchee Bay, dramatized with Snapseed App Photograph of a lily on Ocheesee Pond, between Marianna and Chattahoochee, FL Oil painting of dune grasses at Henderson Beach State Park, Destin, FL

And finally, this week’s weekly plein air outing with the Emerald Coast Plein Air Painters, painting at Turkey Creek Park in Niceville, Florida:

Oil painting of Turkey Creek in Niceville, Florida, in the fall, 1/4 mile up the boardwalk

Click on images for more detailed information and for the contact form if you would like to purchase.

From Destin to Apalachicola

November 1, 2015 in Landscape, Plein Air

Oil painting of the food vendors and festival-goers at Destin Festival of the Arts, 2015When I take an art workshop, it provides a wonderful break from the full-time management of my pool service business and an opportunity to fully immerse myself in my art. I counted this week as a 6-day vacation, first participating in the two-day Destin Festival of the Arts (Mattie Kelly Arts Foundation) on Saturday and Sunday, then attending a Bill Farnsworth workshop through the Apalachicola School of Art Monday, Tuesday, and Wednesday, and finally, painting with Mary Erickson on Thursday.

IMG_9627-2The Emerald Coast Plein Air Painters had a booth in the Destin Festival of the Arts, with 6 painters representing the group. I enjoyed interacting with the festival-goers, talking to the other artists in our booth, and plein air painting one morning. A lot of work goes into a festival booth. Marian Pacsuta and her husband erected the tent, so it was fully assembled with ProPanels and wind-weights already in place by the time the rest of us arrived to hang our art on the curtain hooks Marian provided. She had a small table set up, covered to the ground with black spandex cloth. I had made some flyers explaining our group, and some group business cards the day before, so those were on the table along with artists’ business cards and a clipboard for folks to sign who wanted to receive the weekly notifications of our painting locations. To make sure the booth was manned at all times, I had scheduled the 6 participating artists and two additional artists helping, in two- and three-person shifts throughout the festival. At the end of the second day, we all converged to pick up our art and take down the tent, a feat accomplished in a mere 20 minutes. Many of us painted en plein air during the festival. I arrived early on the second day and had an uninterrupted block of time to paint my scene en plein air before festival goers came, and then I was able to add in a few people.

Oil painting of a trailered oyster boat on shady private launchAt 5:00 the next morning I jumped in the car to drive the two-hour trip to Apalachicola for the Bill Farnsworth workshop. Bill is one of the featured “plein air ambassadors” of the Forgotten Coast En Plein Air event in Apalachicola. I had seen and admired his work, so when the Apalachicola School of Art advertised his workshop, it was an easy decision to sign up. The workshop was billed as Field to Studio, but the 20 mph winds and rains of the remnants of Mexico’s Hurricane Patricia were emptying out on the Gulf Coast, so we just painted in the studio using photo references that Bill had brought. His demos seemed to build from silhouetted shapes to high contrast to color, first completing much of the detail of his focal area before progressing to the less emphasized parts of the composition. The first day I painted the trailered oyster boat on the left, from a photo that Bill brought, and the second day I painted his photo of a blue truck at a seafood business.

Oil painting of a blue pickup parked beside a seafood marketAt the risk of losing my momentum here, a little rant about artistic ethics: It’s not right to pass off a painting of someone else’s image as your own. Photography is an art in itself. If someone else shot the photo, they made the compositional decisions, and probably did some post-processing. I encourage everyone to always make sure you disclose that you used someone else’s photo reference, and give him or her credit. I know there are an abundance of images available on the internet, and some artists, even recognized artists and instructors, merely download an image from the internet and then paint it. Some artists even copy other artist’s paintings, and call them their own! I’ve coordinated exhibits where artists signed a statement of ownership when  their work is clearly a copy of someone else’s work! Explaining rejections of art due to ethics is difficult when people do not have the same values. Don’t get me wrong, there is a world of benefit in copying someone’s painting, especially a Master. I never learned so much as in one semester in college when I made it my assignment to copy drawings by recognized Masters, from daVinci and Michelangelo to Degas. But it’s wrong to call it your own art, without crediting the artist or photographer. I’ve even had friends download my photos from Facebook and then re-upload them without giving me credit, instead of using the convenient “share” button that Facebook provides. OK, enough about that. So I do sell my workshop paintings that used someone else’s photo, to recover the cost of the workshop, but I always disclose it and would not enter them in an exhibit or competition.

Finally, on the last day of Bill’s workshop, the sun came out and the winds died down and the birds sang! We had opportunity to paint en plein air in the morning and again in the afternoon after Bill’s demo. I tried hard to remember Bill’s focus on relative temperatures of color, as well as relative values. I painted an old but still living tree, and I painted the St. George Island lighthouse and museum.

Bill Farnsworth 2

Bill Farsworth 1

Bill Farnsworth, Apalachicola, October 2015

Oil pain ting of an old misshapen oak tree in Apalachicola, FL Oil painting of the St. George Island light and museum Click painting

The day after Bill’s workshop, I took a bonus day away from work, since my staff had handled everything well in my absence, my only concern being when my office manager used the words “creative accounting” to explain how she resolved a cash-flow situation, oh dear.

I used my extra day to paint with Mary Erickson, the Forgotten Coast en Plein Air’s Artist in Residence at St. Joe Buffer Preserve. With my sweet host and fellow classmate and painter extraordinaire Lynn Wilson (On the Waterfront Gallery) and other friends and fellow classmates, I had attended Mary’s introduction a couple nights before, where she had shown her amazing paintings in support of the buffer preserve’s mission of appreciation and conservation of the wildlife and exquisite dune and marsh habitats.

We found Mary at sunrise Thursday morning, and watched her deftly capture the pink and orange light on the clouds and the dunes. I decided to paint on some 4×6 miniature linen panels that I had bought by mistake, intending to buy a different size, and only 5, not 50! I painted 3 studies of the wildflowers in the changing light over the course of the day.

Mary Erickson 1

Mary Erickson, Salinas Park, Oct 2015

Mary Erickson 2 Mary Erickson 3
Oil painting of wildflowers in Salinas Park, mid-morning light Oil painting of wildflowers in Salinas Park, mid-morning light Oil painting of wildflowers in Salinas Park, mid-afternoon light

All in all, a fabulous week, and delivering 5 newer paintings to be shown at On The Waterfront Gallery in Apalachicola, to boot!

Painting at Deer Lake State Park

August 5, 2015 in Landscape, Plein Air

Oil painting of the view of the dunescape from the boardwalk at Deer Lake State Park in Walton County, Santa Rosa Beach, Florida

Uncertain whether it would rain or not, I deployed my sun umbrella when I set up to paint with the Emerald Coast Plein Air Painters at our weekly outing, this week at Deer Lake State Park. The beach breeze promptly blew it over and inside-out despite my wraps of rope around the stem. I was a little craftier in in how I tied it down the second time. I had to head it into the wind a little, which meant it initially was useless but 45 minutes later, it shaded my palette and canvas perfectly. And it never rained while we painted.

Deer Lake State Park contains beautiful, unspoiled, pristine sand dunes. The very long boardwalk is elevated to provide superior views in all directions, protecting the habitat below from feet beating a trail to the beach. Clouds came and went, but that didn’t matter as I blocked in the skyline of dunes and water. However, when I looked for the light and shadow the next time the sun came out, I realized I had forgotten to put my whites on my palette. I looked for them in my collection of tubed paints – nope, not there. Apparently still sitting on my table in my studio. Now what? The other painters were all a good hike away from me, so I decided to paint without borrowing white for as long as I could. I had toned the bottom half of the canvas with beige acrylic before I started, so it wasn’t stark white. The dunes were very white though, where the bare canvas showed in between the painted bushes and grass. I decided that was a good thing. I decided that I might not need white, if I could be disciplined enough to not paint where the white needed to be.

Park visitors walked past me, on their way to the beach, but some stopped to watch. They complimented my work, and some talked to me. I enjoyed that. There are times when I am seriously challenged by my painting, when I might not be in the friendliest of moods, but today’s painting was fun and interesting. Working without white made me a bit nervous, but it also provided an excuse if the painting didn’t turn out good, so I think I may actually have been fairly relaxed.

The group met in the picnic shelter back at the parking lot, for our “soft” critique, and we then packed up and met at a local restaurant for lunch.

Another beautiful painting adventure!

The Practice of Art

July 10, 2015 in Figure Drawing, Landscape, Plein Air

Certain pursuits are referred to as a practice. We think of the practice of law, the practice of medicine, the practice of meditation. I consider my art to be a practice — I practice figure drawing, I practice plein air painting. I think of it as lifelong learning, each painting or drawing a new experience.

I stopped figure drawing a few years ago when the logistics became more difficult, and instead I began plein air painting. Now, when I go to the life drawing sessions my local arts alliance supports, I find my practice a little rusty. But thanks to my friend Melanie Cissone for bringing the local figure drawing opportunities back to life, figure drawing is getting easier again. Bohlert-Massey Interiors in Seacrest Beach, Florida, has been selling my figurative pieces and suddnely I am hard-pressed to re-supply their stock, so I am happy that my practice is paying off.

Below are some recent works from both of my practices. Click on them and use the attached form to message me if you are interested.

Thanks for visiting! If you would like to receive notifications of my new posts as I publish them, click on the Subscribe to New Posts box in the sidebar.

 

Plein air oil painting of the herons on the bridge at Veteran's Park, Okaloosa Island, Fort Walton Beach, Florida

Plein air oil painting of the "umbrella trees" from the south shore of Western Lake at Grayton Beach State Park

Plein air oil painting of Indian Blanketflower at Grayton Beach State Park

Figure drawing of older child-fashion-model

 

 

 

 

 

 

 

 

 

Morgan Samuel Price Workshop, Apalachicola, March 2015

March 27, 2015 in Landscape, Photography, Plein Air

IMG_0754Last year I took my first workshop in plein air painting. I had been painting weekly with the local plein air group for about 14 months when I took that first workshop with Morgan Samuel Price. But I found each day of this year’s workshop even more challenging than last year. According to Morgan, that is the painter’s life. She says that a plein air painter just keeps finding more and more challenges. The more experienced they get, the harder the challenges they find for themselves. Sigh, I thought this was supposed to get easier!

What an amazing group of artists in this year’s workshop! Lynn Wilson, Carol Drost Lopez, Becky Anderson, Charlotte Hope, Nancy Smith Crombie, Patricia Irish Richter, Brenda Anderson, Sherry Wetherington, Mary Wain-Ellison, Glenda Coleman, Karen Snider, David M. Jones, and I:  thirteen of us. One of the best parts about the workshop was the critique session held each day at the end of the day. We would line up our efforts, even if it was just a few brushstrokes, and Morgan would discuss each and every painting, directing her comments to that artist but for the benefit of us all. This was addition to her amazing morning teaching and demo sessions, and our afternoon practicing painting en plein air, all making for a superb workshop for beginner and advanced painter alike. Blessed with infinite patience and superb focus, Morgan is able to work despite the constant distractions of the excited artists milling and buzzing around her, cameras clicking next to her ear. Below are a few shots of her working. You can click on any of the images to see a larger view.

IMG_0806 2015-0320 MSP demo SGI Preserve
IMG_0864 2015-0318 MSP demo Apalach street scene

OfficeI had confidence to be away from my pool service business. I had worked long hours the weekend before the workshop, to clear my desk, plus I have a fantastic crew in the field and a wonderful office staff. On Wednesday my staff decided to show me what was happening there in the office, with a series of photos that even Tamra’s store helpers (her two dogs) had a part in.  Here’s the worst one, Tamra Thomas, Margaret Bush, and Brenda Osborne. Clearly they do not have enough work to do.

The city and area around Apalachicola is such a scenic place, with the historic buildings, working waterfront with shrimp boats galore, oystermen, grottos and lagoons — it is heaven for painters.  The home of Forgotten Coast en Plein Air, you often can find an artist or photographer at work.

Below are some of my works from the workshop with Morgan Samuel Price. Daily critiques were at a set time. Work had to be halted then if we wanted to hear what Morgan had to say about our progress. Click the photo for a larger image.

2015-0316 Scrub Pine on St. George Island 2015-0317 Pond near Scipio Creek Marina 2015-0318Apalachicola
2015-0319 St. George Island Plantation 2015-0320 Pond on SGI Preserve 2015-0320 Thistle Bloom

On the last day I was captivated by a thistle in bloom, so after I finished my landscape, I captured the pink of the flower by using a tint of color I had not ever used before, quinacridone magenta, which turned out to be perfect for painting thistles and I believe also should make painting azaleas easy. I am finding I generally prefer to mix my colors instead of using specialty pre-mixed tubes, but in this case I was very pleased with the chroma.

I shot the photo below using my iPhone.

2015-0317 Lady Louise photo

Contact me if you are interested in purchasing work from this page or any of my online galleries.

See the next post for the weekly paintings done just before and after this workshop.

 

Inspiration from the Creative Efforts of Others

February 28, 2015 in Landscape, Other Art

Art does not come out of the void. At a minimum, it interprets experience and renders a modicum of the artist’s truth, and at its best, it takes the artist’s inner and outer experience, undergoes experiments in alchemy in the boiler room of the artist’s soul, and then spawns something seemingly completely original. Yet to the artist, it merely is another step in the process of expressing herself or himself.  Most of the artists I know are amazingly humble in that regard. They see their work as an experience, a process; while those viewing the final piece, the artwork, see the magical release.

By mingling with other artists, seeing their work, talking with them, listening to their excitement, their struggles, observing their unbelievable courage and their ability to withstand misunderstanding and rejection along with acceptance and recognition, I see mirrors of myself, and my creative spirit is magnified.

Facebook has been a tremendous boon for me, creatively.  Through this phenomenon of social media, I have been able to see the work of my artist-friends and acquaintances, as well as that of other professional artists through the various groups I belong to, and then there are the very giving spirits who appreciate good art so much they share a veritable museum of found art on their Facebook pages, people like my friend the amazing Susan Lucas, who shares a wealth of creativity by others.

I volunteer for one such community, as a member of the Board of Directors of the Cultural Arts Alliance of Walton County (CAA). I serve on the A+Art Committee, whose mission is to showcase the work of CAA member artists. I had the privilege of being the show coordinator for Creative Textures, a current exhibit of the work of 11 artists known for the textural quality of the work, featuring the sculpted acrylics of Justin Gaffrey, colorful weavings by Margaret Rogers, art quilts and stitchery by Mary Zahner and Becky Brodersen, bold ceramic masks by Didon Comer, dyed silks and beaded fabric by Gabrielle Bullard, the haunting art dolls of Ann Welch, expressive tile work by Sherry McCall, exquisite glass and shell collages by Mary Hong (South Walton Artist of the Year 2014), wearable beadweaving by Emilie Pritchard, and unique art basketry by Carol Dickson.

Last month my own work was selected for the promotional materials for another one of our shows, Express Yourself, used on the posters, the program, and the custom wine labels.  Bottles of the show label were auctioned.  Photos are on the A+Art Facebook page, January 20 and 21, 2015. I’ve posted a few below. I believe Melissa Mercer Brown, 2014 Chair of A+Art, and Suzanne LeLoup-West, Express Yourself show coordinator, shot most of the photos, if not all. Music and song, poetry, theater, dance, all of the arts enrich the soul, and for artists, provide further inspiration, motivation, and a “refilling of the well”. Electronically we have the ability to bring all things “culture” into our living spaces and our studios.  But of course there is nothing quite like mingling in person, in the actual energy of creative people, attending events, or even just getting together in small groups or one-on-one.  We seem to energize from our contact with each other.  There is so much value in community.

1 Express Yourself table Express Yourself wine label Express Yourself Poster and original Express Yourself entrance pic Express Yourself photo by Melissa Brown
Eagle

Eagle, by Leslie Kolovich, pastel on sanded paper. Use Contact Form to request purchase information.

Recently I’ve been watching my good friend Leslie Kolovich develop Leslie Kolovich Live, her own internet radio/tv broadcast featuring “music, art, the environment, and purposeful living”, and especially observing her interaction with the musicians, and I see the very same creative energy exchange I’ve been writing about here. Likewise with my friend Melanie Cissone, organizing life drawing sessions for fellow figure-drawing artists, intent on improving her own skill and expression, but benefitting other artists at the same time. Community with other artists provides support and opportunity, infinitely energizing. Leslie comes to my art studio every week or so, a community I don’t invite into my personal creative space unless the energy is very, very simpatico, which it is, with her. This week I finished the painting I posted in my last blog, while Leslie produced an amazing pastel of an eagle, inspired by a pair of nesting bald eagles we saw when our paddle-group paddled the bay near my house last weekend (Leslie’s painting at right).