The Forgotten Coast en Plein Air and Plein Air South 2018

June 4, 2018 in Figurative, Landscape, Plein Air by joanvienot

I attended the Forgotten Coast en Plein Air and Plein Air South again this May, taking time out for painting between demo’s and discussions. I practice painting en plein air to study the transient effects of light, to become more adept at composing, to learn more effective technique, and to develop a stronger instinct for decision-making. Many times a plein air painting will be worthy of framing. All are learning experiences. My intention is to study something different every time I paint, even when I paint a scene I have painted before. Every painting is making it easier to paint the next painting, but I challenge myself even more the next time, so I can’t say that painting is easy. I can say that I am seeing better.

Oil painting of the marsh from the deck of Scallop Republic on the way to Cape San Blas, Port St. Joe, FL

Scallop Republic Marsh

I am happy to report that my Quickdraw painting, Scallop Republic Marsh, was selected by Quickdraw judge Lori Putnam to be one of the 40 on display throughout the Forgotten Coast event, and that it was purchased, as was Eastpoint Oyster Shack, one of my paintings in the Florida’s Finest en Plein Air Ambassador exhibit.

The more exciting news happened the week following the Forgotten Coast event, which was Plein Air South, a convention in the same location with back-to-back educational sessions, lectures, and demonstrations. Approximately 160 artists attended. We were invited to display up to 3 plein air paintings, the best to be selected by artists’ vote. I thought they were just going to award a Best in Show, but they also awarded second place, which one of my paintings won, Spring Dune at St. George Island, pictured below! I received $485 of paintbrushes from Rosemary & Co., my favorite brush manufacturer! (Iin addition to the $180 of brushes I had just purchased!) I don’t guess I will run out of brushes for a while!!

Oil painting of the massive primary dune at St. George Island State Park, FL

Below are the studies I painted over the two weeks, in between listening to the speakers and watching the demo’s. Click any photo to learn purchase information.

Oil painting of the marsh at the kayak and canoe launch on Cape San Blas, Port St. Joe, FL

Kayak Launch at Cape San Blas, oils, 6×12

 

Oil painting of the early morning shadow of the primary dune on Cape San Blas, Port St. Joe, FL

Cape San Blas Morning Shadows, oils, 11×14

 

Oil painting of the shape of the primary dune on Cape San Blas, Port St. Joe, FL, painted with palette knife

Early Summer Dune at Cape San Blas

 

Oil painting of site of oyster shell bagging by the Conservation Corps of the Forgotten Coast, for maintaining and restoring eroding coastline

Project Worksite, Conservation Corps of the Forgotten Coast, Oyster Shell Bagging, oils, 6×12

 

Oil painting of the light on the creek at George Core Park, Miss Zola Drive, Port St. Joe, FL

Creek at George Core Park, Miss Zola Drive, Port St. Joe, oils, 12×9

 

Oil painting of the early light at the St. Vincent Shuttle stop, off the tip of Indian Pass, Port St. Joe, FL

Warm in the Morning, Indian Pass, oils, 8×10

 

Oil painting of the artist's impression of the colorful sunrise at the tip of Indian Pass, Port St. Joe, FL

Sunrise Impression, oils, 4×6

 

Oil painting of artist's impression and memories of the marsh at the canoe and kayak launch on Cape San Blas, Port St. Joe, FL

Impression of the Marsh at Cape San Blas Canoe Launch, oils, 11×14

 

Unfinished, Rick on a Break, 14 x 11

 

Unfinished, Cape San Blas Light in Port St. Joe, 16×20

 

Joan Vienot, painting the Cape San Blas Light and lightkeepers’ cottages in Port St. Joe, hurrying to beat the rain!