Florida’s Finest en Plein Air Ambassador and Artist-in-Residence
The work I produced during the Forgotten Coast artist residency and the month following was hung at Cal Allen’s Coastal Art Gallery in Carrabelle, FL, last week with the help of the Carrabelle Artists Association. I gave my presentation at the event reception on Tuesday. Then the collection was moved to the event wetroom in time for the collector’s dinner last night and for the event gala tonight. The wetroom is at Ft. Coombs Armory at 66 4th Street in Apalachicola, FL. I have one space and all the rest is filled with the most amazing and beautiful works the 20 invited artists who painted this week. What a show!
A huge thank you goes to event chair Cheryl Ploegstra and her team of volunteers and the board of the Forgotten Coast Cultural Coalition, producers of the event.
Here is a raw, unedited video of my presentation – thank you Karen Weir-Jimerson for sharing it with me! And below the video are the image notes I posted with each piece, in a close approximation of the order in which I talked about them, if you play the 25-minute video as you look at each piece.
Florida’s Finest Ambassador and Artist-in-Residence
“Nature is ever at work building and pulling down, creating and destroying, keeping everything whirling and flowing, allowing no rest but in rhythmical motion, chasing everything in endless song out of one beautiful form into another.” ~John Muir
I was honored to be invited to be the Artist-in-Residence for the Forgotten Coast en Plein Air this spring. My artist residency is split into two parts over three weeks. I spent 4 days on the Forgotten Coast of Florida last week and I will spend another 3 days there again next week, continuing to study and to paint the 2019 theme for Forgotten Coast en Plein Air, which is “Recovery in the Natural Environment” relative to the devastation wrought by Hurricane Michael in October of 2018. My personal approach to this project focuses on Hope.
I am hosted by a sweet couple, George and Maggie Jones on Cape San Blas, just a few miles south of St. Joseph Peninsula State Park. They didn’t see much of me while I was there last week because I was out every day, observing, painting, photographing, and absorbing, from first light until sunset.
Florida’s Finest Ambassador and Artist-in-Residence
Every year the Forgotten Coast Cultural Coalition hosts a plein air painting event, inviting twenty professional artists to paint the area of Northwest Florida known as the Forgotten Coast. It includes the communities of Mexico Beach, Port St. Joe, Cape San Blas, Indian Pass, Apalachicola, Eastpoint, St. George Island, and Carrabelle. On October 10, 2018, the Forgotten Coast was hit hard by Hurricane Michael. The City of Mexico Beach was decimated, and the surrounding communities also were heavily impacted. The theme for this year’s annual Forgotten Coast en Plein Air event will focus on the natural environment as it recovers from the impact of the Hurricane.
I have set a goal for this year, to paint 30 or 40 larger paintings of clouds and/or waves. Both intrigue me and call to me, two forms of the same matter, constantly in motion, both capable of transporting such massive energy, or such tranquility and peace. I plan to exhibit this body of work early next year. As I work on this project, I will publish progress reports and photos of paintings or parts of paintings, and I might share my thinking, but some of my work I will save for first viewing at the exhibit. In the meantime, I will continue to practice plein air painting and life drawing. Below is a palette knife acrylic painting Foggy Surf, 12″ x 36″, which I painted during my shift at the Foster Gallery in Ruskin Place Artists Colony in Seaside, and an oil painting Storm Tide produced in my studio, 36″ x 24″. Click on images for more information.
This week, January 24-27, 2019, the city of DeFuniak Springs in Northwest Florida will again host the Florida Chautauqua Assembly, a 4-day educational program which this year is themed “A Journey Into Main Street America”. Displays and exhibits will surround the the nearly circular spring-fed lake in the center of town, and presentations will be given at local churches and at Northwest Florida State College Chautauqua Center. I am a member of the volunteer faculty, tasked with giving a presentation on the subject of plein air painting.
Titled An Affair with Plein Air – Painting from the Outside In, my session description states “the practice of painting scenes from life, outdoors, is the biggest art movement in history, and it is happening now! Accomplished artists find that painting outdoors, in the changing light and under changing weather conditions, rapidly improves their perception and artistic decision-making, and this carries over to their studio-practice. Beginners and non-artists find increased levels of present-moment-awareness, satisfaction and serenity akin to the benefits of meditation.
Dr. Steven Leatherman, also known as Dr. Beach, rates the best beaches in the world every year, using 50 criteria. Grayton Beach, Florida, has been Number One at least once and in the top ten several times. That would be no surprise to anyone who has seen this beach. The reflective white quartz sand consists of small grains with a texture as smooth as sugar, so fine that it crunches and squeaks underfoot like very cold snow. Under the blue sea of the Gulf of Mexico, the white sand bottom reflects turquoise, punctuated by an emerald streak where the sand bar offshore rises to within 10′ of the surface. On days like last Wednesday, you would never know that those same waters could house the fury of a hurricane, like the one last month that destroyed most of Panama City, Mexico Beach, and Port St. Joe, the destruction starting a mere 20 miles east of Grayton Beach. Continue reading Plein Air on the World’s Most Beautiful Beach
This post will have to be more pictures than writing — everything has been moving so fast I haven’t taken enough time to reflect on it all! First, of course, the effects of Hurricane Michael are still heavy upon my neighboring communities, along the coastal towns from Panama City to St. George Island and further, and all points north of there. The fundraiser started by Larry Moore and managed by Denise Rose and team, “Operation Fundstorm”, begun with the hope of raising a mere $10,000, actually raised over $117,000! More than 200 artists donated paintings which then were auctioned online over the course of one week, with 100% of the proceeds going to provide hurricane relief on the Forgotten Coast. I am thrilled to have been a contributing artist, with “Seeing the Light”, at left.
The first week of November, I hung 20 of my paintings at Artful Things in Niceville, FL, where they will be exhibited through December 2018. That same week I also was juried into the Foster Gallery at the Ruskin Place Artist Colony, in Seaside, FL. I have 14 works showing there, through the first week of February. The Foster at Ruskin is the second branch of the Foster Gallery, an artist collective organized by the Cultural Arts Alliance of Walton County. Upcoming dates are as follows:
NOTE: These promotions have ended, but the need persists. Please find a way to donate or go help the people hit by Hurricane Michael!
Hurricane Michael was a brute.
The destruction starts just 20 miles east of my home, essentially ripping out all civilized services and damaging or destroying nearly all of the homes and businesses in Panama City, Lynn Haven, Marianna, Blountstown, Mexico Beach, and Port St. Joe, with wind or flood damage significant in Apalachicola, St. George Island, Eastpoint, Carrabelle, St. Marks and points further east and north. The storm increased in intensity from a Category 2 to almost a Category 5 practically overnight, make it the third-lowest-pressure storm to ever hit the United States in recorded history.
I spent half of August and half of September on a month-long adventure of travel and plein air painting. Two weeks were in Colorado at the Estes Valley Plein Air event where I painted almost every day in beautiful Rocky Mountain National Park near the town of Estes Park, Colorado. And one week was in the spectacular Blue Ridge Mountains, near Blue Ridge, Georgia. I completed 11 paintings.
It was an honor to be juried into the Estes Valley Plein Air event, which was sponsored by the Art Center of Estes Park, and managed by the very capable team of Lars and Kristi. I opted to drive, instead of fly, from Florida to Colorado to reduce expenses. I had a cabin to stay in while I was there, thanks to the generosity of my friend Dr. Cynthia Reedy, but while traveling to and from, I tent-camped. I used love being in the great outdoors, “roughing it”. By camping and driving, I saved a $500 flight and a $900+ car rental and probably at least $500 in motels. I also saved the trouble and expense of shipping my frames and canvases and tools and equipment. I did buy new tires before I left, which I paid for by instructing a course for the employees of the business I had recently sold. Even so, except for the fact that I have family in Colorado, traveling this distance for an event is worthwhile as a business venture only if sales are generated.