I rarely use color to show “local color”, that is, the actual color of the model’s skin and hair. I have more fun when I draw light and shadow. But this week the model at Studio b. wore a red slip that caught the light in exquisite ways. Red just demands to be noticed.
I warmed up with nupastel and conte, switching to watercolor pencils and washable graphite on hot press watercolor paper. Hot press is very smooth paper. Wet color pushes around on it very easily, since there is no texture to catch onto the pigment.
It was a fun night, with a new model. She gave us many challenging poses, especially when we were warming up. Usually our models are fully nude, because only by drawing the nude do you get practice in seeing how the whole figure is put together. I think all my practice has made drawing a clothed model easier. It was easier to “see” the form beneath the clothes.