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Five-Day Challenge

I am participating in Mary Gilkerson’s Art+Work+Living Five-Day Challenge, which is to paint a painting in 20-30 minutes every day for five days. The purpose is to develop a daily painting practice, using a knife or #6 brush or larger. I plan to add an to add a painting to this blog every day for 5 days.

And Day 5, January 22, 2018: Apple, 6×6 oils on hardboard. I painted this while looking at the Apple. This concludes the Five-Day Challenge, so now the question is, will I continue this daily painting practice? I intend to,  at least puttering in the studio whether not I produce anything worth looking at.  In the process of doing this, I also have straightened out a glitch in my Instagram account so that now it will post both to Instagram and to Facebook at the same time. It was something about how I had created the account, that it just would not post no matter how hard I tried.  I ended up having to dissociate the accounts, delete them from my phone, and re-upload them, and then change the IG account to a business account, and then re-associate the accounts. Now I am learning all about hashtags.

Oils on hardboard
“Apple” can be yours! My store is offering my painting, just click the painting for more information.

Day 4, January 21, 2018: Aloe, oils on hardboard, 6×6. Last month I bought about 20 6×6 pieces of hardboard last month, planning to start a daily painting practice and not wanting to use expensive linen panels. I wanted to feel free to experiment and have less investment in the outcome, both emotional and financial. I realized I hadn’t primed them, so I gesso’d 12 of them, all that I had space for. I use clear gesso on panels or board that is not white; that way I don’t have to tone it to reduce the glare of white gesso. Now… what to paint? I have potted aloe on top of the microwave near the kitchen window, and it receives beautiful high-contrast morning light. I decided that would be my subject, and I squeezed out some greens that are not normally on my palette — sap green, thalo yellow-green, and viridian. (Normally I mix my greens, for plein air painting and for painting the figure.) For the Five-Day Challenge, we are supposed to be reducing the amount of time we paint, from 30 minutes to 20, not counting color-mixing. Since I mix as I go, I adidn’t worry about the time. My timer stopped me at 30. I squinted at my work to evaluate it — not enough contrast. I took another 10 minutes to add some darks, and I cleaned up some edges, and then added a few scalloped edges on some of the leaves, to help identify it as aloe. I’d like to give this subject a second try, reducing the amount of reflected blue light and making it more distinct. Also I will place the pot differently, so it doesn’t look like it is ready to fall off a table. I wasn’t thinking much about composition when I started this painting, just the luscious greens.

“Aloe” is available now for purchase, click the painting to add it to your collection!


Day 3, January 20, 2018: Sunrise on Eden Drive, oils on canvas panel, 6×6. Today’s painting used a photo I recently took looking out over my yard from my front deck. My house has a bayou in my back yard, and behind the lot across the street from me, a freshwater creek, which together provide wonderful atmosphere on winter mornings when the air is colder than the water. I learned my lesson yesterday, today painting with a well-shaped brush. It’s a #6, as recommended by the guidelines for this project. A well-shaped brush can be turned on it’s edge to deliver very thin strokes. The wet paint created a little glare on the left side of this photo of my painting.

Sunrise on Eden Drive just rolls off the tongue, doesn’t it? Would you like to share it with your friends and family? Click the painting and order it today!


Day 2, January 19, 2018: Four Views of Merritt, oils on canvas or birch panels, 6×6 each. On Fridays, I enjoy studying the figure in the open studio with a model at the Foster Gallery on Grand Boulevard in Miramar Beach, just 10 miles from my home.  Since I am doing this five-day challenge, I decided I would use figure painting to fulfill my challenge commitment. We break up the long pose into 20 minute segments, so I painted four 20-minute versions of the same pose, moving my easel for each segment so that I would have a different view. The first painting was on a canvas panel, and the other three were on clear-gesso’d birch. The small format was pretty restrictive, and painting with a number six brush was very difficult because it was not a well-shape brush, rather like painting with a dogs tail, I imagine. But no excuses, because I know some artists who can paint with a stick if they forget their brushes so it’s all a matter of experience. 

Each of the Four Views of Merritt are available to purchase!

Click here for purchase information.

Initial version
Oil painting of two palms in a meadow, the first of a Five-Day challenge, to paint a painting every day for five days
Corrected, final version. Available from my blog! Click the painting and order today.,

Day 1: January 18, 2018, Two Palms, oils on canvas, 6×6. Apologies for the glare on the canvas — it actually is pretty well covered — the canvas texture is showing because of the wet glare. It was difficult to put down my #6 brush after only 30 minutes. I’m not sure what’s happening with that gigantic branch hanging down on the right. So much refinement can be done in just a few more minutes, but I’m going to try to follow the rules for this Five-Day challenge. I was working from a photo on my iPhone, and was timing myself with my meditation timer app. I had app’d the photo into 3 values – black, white, and gray – with “Notanizer” so that I could simplify the darks and lights, and had sketched even more of the darks on a print-out from that app, to remind myself to make a workable silhouette with my darks from the get-go. When i started, I used pure ultramarine blue for my darks. Unfortunately I never got around to warming my trees so my eye tends to go to the warm grass in the foreground instead of to the trees. Now the decision — whether to keep it and refine it, or to wipe it off and salvage the canvas.

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