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Just Plein Fun and Other Autumn Adventures

This post will have to be more pictures than writing — everything has been moving so fast I haven’t taken enough time to reflect on it all! First, of course, the effects of Hurricane Michael are still heavy upon my neighboring communities, along the coastal towns from Panama City to St. George Island and further, and all points north of there. The fundraiser started by Larry Moore and managed by Denise Rose and team, “Operation Fundstorm”, begun with the hope of raising a mere $10,000, actually raised over $117,000! More than 200 artists donated paintings which then were auctioned online over the course of one week, with 100% of the proceeds going to provide hurricane relief on the Forgotten Coast. I am thrilled to have been a contributing artist, with “Seeing the Light”, at left.

The first week of November, I hung 20 of my paintings at Artful Things in Niceville, FL, where they will be exhibited through December 2018. That same week I also was juried into the Foster Gallery at the Ruskin Place Artist Colony, in Seaside, FL. I have 14 works showing there, through the first week of February. The Foster at Ruskin is the second branch of the Foster Gallery, an artist collective organized by the Cultural Arts Alliance of Walton County. Upcoming dates are:

Friday, December 7th, The Foster Gallery at Ruskin Place Artist Colony, 201 Ruskin Pl., Seaside, FL 32459, 1st Friday Art Walk, 5pm – 8pm.

Thursday, December 13th, The Foster Gallery at Ruskin Place Artist Colony, 201 Ruskin Pl., Seaside, FL 32459, Opening Reception, 5pm – 7pm.

Saturday, December 1st, Artful Things, 1087 John Sims Pkwy E, Niceville, FL 32578, Open House , 11am – 4pm.

And finally, I have been invited to again serve as a Florida’s Finest en Plein Air Ambassador for the Forgotten Coast en Plein Air which is based in Port St. Joe. Florida’s Finest Ambassadors teach 15 2-hour one-on-one instructional sessions to people who are new to plein air painting. Those 15 sessions are offered over 5 days, 3 per day. I served as an Ambassador in 2016, so I know the drill — it’s a fairly grueling schedule. Normally 6 artists from across the state are selected to be Ambassadors. Since the area just suffered a hurricane, the event may be scaled back a bit, but I know there will be at least three Ambassadors this year.

My weekly Wednesday painting sessions with my local group have yielded a number of studies over the summer, pictured below.

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Seeing More Color, Plein Air Painting

Oil painting of the potted plants in the pavilion at the head of the Turkey Creek boardwalk, Niceville, FLAfter noticing my tendency to dull my colors when painting in the bright light outside, I decided to paint with brighter colors, sometimes straight out of the tube. The duller colors were exact when I was outdoors, but indoor lighting is never as bright as the sunlight, so I found my paintings looked dull when I brought them indoors. This effort to paint my paintings so that the colors look realistic when indoors, challenges me, because the more intense color seems a little garish while I am painting. I have to battle my instinct to tone it down.

Painting the potted plants in the pavilion at the head of the Turkey Creek boardwalk in Niceville, FL, last week, I was thrilled to find my subject half in the sun and half in the shade. Colors change radically when the sunlight hits them, being more true to what we think of as local color, in the shade. And the reds! Seldom do I get to use strong red! What fun!

Oil painting of the boats, hens and chicks, in the yard near Nick's Seafood Restaurant in Basin Bayou, FLThis week Wednesday was overcast. The light was strong, but the colors were muted. The Emerald Coast Plein Air Painters were painting at Nick’s Seafood Restaurant in Basin Bayou, west of Freeport, FL. I remembered  all the fancy little chickens running around in Trey’s yard next door, and I hoped to paint them. Alas, they were gone, and the only critters to show up were three scrawny young turkeys, two white and one brown. So I decided to paint the play of light around the boats, and the geometry of the chicken coop. Halfway into the painting, Trey came out and I asked him about the chickens, and he said there were about a hundred in the coop. I heard them start cheeping, as a little boy spread food for them. Trey threw some corn between me and the coop and a few adult chickens came out to eat. So I got to paint chickens after all!

Click on image for form to get purchase information.

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