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Open Studio Figure Drawing at Studio b.

Top half of standing pose pictured below

This week we had a new model and open studio figure drawing.  Creativity was a-buzzing!

There are many decisions to be made when starting a new drawing, and having a new unfamiliar model adds to the mix.  After looking at the model and deciding whether the pose is good for me or whether I need to move to a different vantage point, then I have to decide what medium I am going to use, which then helps me decide what paper to use for that medium.  I take a big art-box with me to the drawing sessions, and a board with several different papers clipped to it, and sometimes I bring a watercolor pad as well.  I don’t necessarily have a favorite medium that I work with all the time.  Most certainly, I prefer graphite , but it’s fun to use different media.  My art-box also contains black and brown permanent pens, water soluble blue and black pens, charcoal, tinted charcoal, washable graphtint (tinted graphite) pencils, conte, wax crayons, watercolor pencils, and nupastels.

After I pick my media, next I face the choice of approach.  Here’s where I usually just jump in and start working the gesture, without thought for whether my initial marks are going to contribute to or detract from the end result.  Since every pose is timed, the immediacy of working from a live model requires some quick decision-making and the guts to just go for it, not worrying too much about whether I am going to turn out a masterpiece or not.  In the end, there is usually something about every drawing that I like, even if there are proportional inaccuracies or places where I got something completely wrong.  That is why I keep coming back to Studio b. for Wednesday night Figure Drawing.

Some of our group’s drawings will be on display at Studio b. this-coming Thursday, November 4, 2010, for the b+b@b event to announce  Studio b.’s partnering with the Brogan Museum of Art and Science to celebrate the exhibition of 50 Baroque Italian masterpieces, which will be debuting in Tallahassee in March of 2011.

Some of our group’s drawings will be on display at Studio b. for the b+b@b event this-coming Thursday, November 4, 2010, for the celebration of Studio b.’s partnering with the Mary Brogan Museum of Art and Science promoting Food, Art, Film, and Fashion.
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Guest Artist at Studio b: David Orme-Johnson

David Orme-Johnson
Drawn with both hands by local artist David Orme-Johnson

David Orme-Johnson has been regularly attending the weekly figure drawing sessions at Studio bColleen invited him to be our guest artist this week.  David showed us a number of drawings in which he had done most of the drawing using both hands simultaneously.  In the later stages of each drawing, he executes the details just using one hand.  His website contains other examples along with galleries of his other work.  He talked about the process and the fun he has had since discovering that although he is right-handed, he can draw ambidextrously, and can even write script backwards.

Our model was unable to make it, so the artists took turns sitting as model for 5 or 10 minute poses (clothed).  I think all artists who work from models should be made to model now and then, to maintain their appreciation.  Modeling can be excruciating if you are not balanced well or if you are holding a slightly unusual position.  For my first seated pose, I looked up towards the ceiling.  My neck was starting to spasm after only 2½ minutes.  (I see why our experienced models never look at the ceiling.)

Drawing With Both Hands

I tried drawing with both hands like David, but I confused myself before I even started.  I wanted to draw the model and draw the mirror image at the same time, which would have created a symmetrical drawing of two women seated, facing away from each other.  The model was facing left.  If I had been watching my left hand, and making my right hand just do the same thing but backwards, I think I might have had some success.  Instead,  I was trying to translate the model’s pose into its reverse in my mind, and draw that reverse pose with my right hand, while my left hand tried to copy my right hand.  Pretty soon I didn’t know which direction either hand should go.  I wasn’t very happy with my drawing, but I think I could practice and become better at it.  (Click on picture at right for larger view.)

Ellen the ArtistFor the remainder of the class I enjoyed quickly sketching each artist as they took their turn posing.  Weekly figure drawing has helped me to be able to get the basic body position drawn in a hurry.  The problem is that some artists don’t just wear T-shirts and shorts like normal people.  Instead they wear funky clothes and accessories that are a visual feast, so each pose ended way too soon, before I could start playing with the fabrics and textures.  Following are a couple of my sketches from that session.  I worked with either graphite or tinted graphite on 18″ x 24″ manilla.  I sketched the gesture with white conte first. Artist Relaxing