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Local Plein Air Painter Groups

Wherever you live, there probably is a group of plein air painters who meet regularly to paint, perhaps critique their work, and socialize a bit. There is huge value in the energy of the group. Numbers may wax and wane, but almost always someone else comes and helps magnify the creative energy. The group I meet with is called Emerald Coast Plein Air Painters. More than 100 people receive the notifications of the weekly painting locations for our group. Anywhere from 2 to 15 people usually show up, painting for a few hours. Sometimes we paint the same view, sometimes everyone paints something different. There are no rules. Around 11:30 we meet for what I call a “soft” critique, with no one ever telling you that perhaps you should take up a different pasttime. Sometimes experienced artists are present, and they give very good suggestions for ways to be more effective in our paintings.

Social media also has proved to be useful in providing feedback. A post in “En Plein Air”  Paintings and Painters. Only 3 at a time. on Facebook will often bring comments of appreciation and constructive criticism.

For myself, I am one of the waxer-and-waners in attending the weekly sessions, preferring not to drive very far especially during the slow traffic of tourist season. Our group meets in a two-county area, in Walton and Okaloosa Counties, in Northwest Florida. We generally meet in the southern half of those counties, but even that limited area comprises about 1000 square miles. There is no shortage of subjects to paint, so we really are constricted only by the presence or absence of public restrooms and adequate parking.

This week we met at Cessna Landing, a small park and boat launch on Hogtown Bayou in Santa Rosa Beach. The weather could not have been nicer. The first thing that caught my eye was the scene looking into the early morning sun, a bunch of scruffy, gone-to-seed cattails in front of the parking lot circling the park. I immediately decided the broken, bleached, backlit cattails would be too difficult so I walked around looking at everything else, finally shaming myself enough to work up the courage to give the cattails a try. Now that I have painted them once, I’ll have to try again sometime, to see if I can do a better job of capturing the brittle, broken leaves. Below is the 8×10 I completed.

Plein air oil painting of backlit cattails gone to seed, at Cessna Landing on Hogtown Bayou, Santa Rosa Beach, FL

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Opposite Points of View: Figure Drawing at Studio b.

Joan Vienot: Nupastel on Gray
Heather Clements: Ink and Wash

I was a few minutes late getting to figure drawing at Studio b. this week.  All the “good spots” were taken so I set up my easel in the last available place.

But then, what a treat, to find that the way the light was coming in through the window and backlighting the model, he was fairly glowing, for every pose.  My “less-than-perfect” easel location gave me poses with silver linings.

For this pose, I drew the strong highlights with white on gray paper, and then worked in the dark values with black, leaving the gray paper showing for some of the midtones.

Heather Clements was drawing on the opposite side of the room, so her poses were almost completely brightly lit, with the shadow pattern of the window bars criss-crossing the model.  One of her drawings is at right.  This is one of the fun aspects of figure drawing — the same pose, drawn at the same time, will be markedly different from one artist to the next.  The multiple points of view provide a more complete appreciation of the form and the conditions experienced by the artists as a group.