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Figure Drawing on Colored Paper

This week we again had a new model for figure drawing at Studio b. The young woman had a number of interesting tattoos, but tattoos are one of those things that you see right at the beginning, and then while you are drawing, you forget about them, and then maybe you will see them again at the end.   I’ve had this happen with with whole body parts before.  All of a sudden I realize there’s another leg  — how many legs does this model have?  So I missed drawing most of her interesting tattoos.

A few months ago I bought an assortment of colored Canson Mi-Teintes papers, and I had not used the brighter colors, so I brought them to figure drawing to try out this week.

I had fun even though the bright colors were a bit outside of my comfort zone.  I particularly enjoyed working on the red paper.  I used Nupastel, letting the red show through for some of the middle values.  I opted not to do anything with the background, leaving the figure floating, unanchored.

At left is one of my warm-up gestures.  Our instructor, Heather Clements, gave a very good demonstration about gesture drawing, and setting up the figure on the paper.  This example is nothing like what she taught us, but I just thought it was interesting.

The studio was a-buzz with creativity, with all the drawing upstairs while Colleen Duffley worked downstairs, uploading the New Years camera-phone competition.  Earlier this week Studio b. hosted a presentation by one of the Escape to Create artists, Judith Levy.

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Figure Drawing with Graphite Wash

Preliminary drawing using water-soluble graphite, prior to washing

Water-soluble graphite drawing after washing (Click for larger detailed image)
Both the process and the product of drawing are immensely appealing to me.  One of the reasons it is always a challenge is because there are so many variables between the nature of the drawing surface and the drawing implement itself.  I have started learning to use a water soluble graphite pencil, which makes marks that look the same as a regular soft graphite pencil, but will bleed and run when it is wet with plain water.  Above is a new drawing on the left, that I made this week, and on the right is how it looks after it has been brushed with a wet paintbrush.  I have allowed the grainy texture of many of the pencil strokes to show through, so that it still retains some of the quality of a drawing instead becoming a monochromatic painting.  (Ignore the blue tint in the drawing on the left — that’s just my impatience with my camera.)

Below are some other drawings I made at the regular weekly figure drawing session at Studio b. this week.  The first one is one of my favorites from this year.  I wish I could draw like this all the time.  I think I was inspired by the difficulty of the pose.  Our model was amazing.