Habits and Routines in the Artistic Process

August 18, 2017 in Figure Drawing, Landscape, Plein Air

I am struggling with an absence of routine. Without it, certain basic maintenance tasks are neglected. I like to get up in the morning, have a cup of coffee, read something inspirational, and write my 5 gratitudes, and do a short meditation before I get my day underway. But lately I have been getting sidetracked into the day’s business as soon as I get my coffee — starting with email correspondence, news, and social media updates, and I never get back to my morning quiet time. My life has been complicated by a pesky knee injury which has required a good deal of physical therapy and greatly reduced my physical activity. I am coming out of that phase in my life, increasing my activity, improving my nutrition, and I intend to restore routine to my life.

I used to blog weekly. I couldn’t believe my eyes this morning when I saw that my last post was 2 months ago. This was a certain message that I need to re-organize my life.

It’s not that I haven’t gotten things done, or that I have neglected my spiritual and psychological health. But I have neglected a lot of things, obviously blogging being one of them.

So why does that matter? Because blogging is one of my chief way of assessing progress, with a little introspection on the side. Self-assessment is essential for monitoring progress.

In brief, projects accomplished and actions taken over the past two months:

  • Continued coordinating and attending weekly Wednesday morning plein air painting excursions with the Emerald Coast Plein Air Painters, with the goal of maintaining community among the painters, and maintaining if not improving my skills.
  • Organized and hung a small exhibit of works by the Emerald Coast Plein Air Painters in the lobby of Northwest Florida State College South Walton Center, with the goal of constantly exposing young minds to plein air painting, and with the end goal of creating appreciation for the genre, encouraging young artists, and perhaps inviting future participation and patronage.
  • Served as coordinator for a juried exhibit of plein air paintings for my local arts alliance at the Foster Gallery, preliminary to an event we are planning for this fall.
  • Completed my 4 months of physical therapy for IT Band Syndrome due to knee arthritis (what a pain!!)
  • Vacationed in Montana for a week with my sisters from Colorado, and their families, and visited my 97-year-old Dad in his senior home in Colorado, and shared pie with my brother and his family there.
  • Completed a commissioned painting for a patron.
  • Exhibited in two special exhibits at the Foster Gallery – showing two plein air paintings in Outdoor Magic 2017, and a figurative piece in Faces & Figures.
  • Studied DVD’s by plein air painters Laurel Daniel and Joseph McGurl.

Below are studies and works done over the past couple of months.

Oil painting of the "umbrella trees" at Western Lake in Grayton Beach, FL, at dawn, a commissioned work 8"x48"

See full-size at Umbrella Trees at Dawn. This painting was commissioned by local friends who had a very specific space where they wanted to hang it in their house, a space roughly 9″ x 60″. The painting is 8″ x 48″. They gave me the subject, an iconic local treeline that we know as the “umbrella trees”, at Western Lake near Grayton Beach, Florida. They wanted to see it every morning and smile. So I chose dawn.

 

Oil painting of the first light of dawn coming over the mountain to kiss the grassy hill at Green Bear Ranch, Eureka, MT

The first light of dawn coming over the mountain to kiss the grassy hill at Green Bear Ranch, Eureka, MT, painted en plein air while on vacation with family two weeks ago. (click photo for larger image)

Oil painting of the road cut across Dickey Lake, MT, on a day hazy from the smoke of forest fires in BC, Canada.

Plein air painting of the road cut across Dickey Lake, Montana, on a day hazy from the smoke of forest fires in BC, Canada. (click photo for larger image)

Oil painting of the grassy rise edging the roadside park between Basin Bayou and Villa Tasso on the Choctawhatchee Bay in Florida

A roadside park in Choctaw Beach, on the Choctawhatchee Bay in NW Florida, painted en plein air. (click photo for larger image)

Oil painting of the lake at Lincoln Park in Niceville, FL, with the muted colors of a cloudy day

View from Lincoln Park, Niceville, FL, on a cloudy day, painted en plein air. (click photo for larger image)

Oil painting of a V-bottomed boat at Nick's Restaurant on the Choctawhatchee Bay at Basin Bayou near Freeport, FL

V-bottomed boat at Nick’s Restaurant on the Choctawhatchee Bay at Basin Bayou near Freeport, FL, painted en plein air. (click photo for larger image)

Oil studies of the light on the water at Thomas Pilcher Park in Santa Rosa Beach, FL

Plein air studies of the light on the water at Thomas Pilcher Park in Santa Rosa Beach, FL. (click photo for larger image)

Oil painting of a bend in the creek, showing the transparent tannin-stained water over the sand bar, at Turkey Creek in Niceville, FL

Plein air painting of the a bend in the creek, showing the transparent tannin-stained water over the sand bar, at Turkey Creek in Niceville, FL. (click photo for larger image)

I drew Katie and Marley for a special exhibit by my local arts alliance called “Faces & Figures” at The Foster Gallery. Katie is a neighbor in my community who walks her dog in Eden Gardens State Park. On this day, she was sitting on the bench up by the bayou. The paper actually is a very light blue — the camera incorrectly corrected for color-cast. (click photo for larger image)

As always, contact me if interested in available art or a commission.

 

Joan Vienot, Live Event Painter

June 13, 2017 in Landscape, Other Art, Plein Air

Several years ago I was asked to paint the bride and groom’s First Dance at their wedding reception. That first request blossomed into more as word got out. I have dedicated a page on my website to Weddings, Etc.

Last fall I painted at a beautiful wedding which was held outdoors in front of a magnificent private mansion. The weather was gorgeous, the light exactly mirroring the day before when I had visited the site to work out the details with the wedding planner. I arrived about an hour early, so my painting was well underway by the time the first guests arrived. A trio played classical music behind me, to the accompaniment of the splashing sound of the beautiful marble fountain beside me, and pre-wedding cocktails encouraged the convivial atmosphere. Guests looked over my shoulder as I continued to structure the mansion, cheating the color towards the warm glow I knew would be present at the moment I was asked to capture, which would be the bride’s father escorting the bride to her wedding. (I had taken a few reference photos of the wedding planner standing approximately where I thought the bride and her father would be walking, so that I had an idea of scale when I started the painting.)

I was amused that a few of the guests wanted to have their photo taken with me painting — apparently my activity was something essential to their anticipated memories of the occasion. But I was wholly unprepared for the revelation that my work would be so significant to the bride, surprised and pleased that she had my painting printed on her Thank You cards!

And then gratitude upon gratitude, when she included a photo of me painting, in the feature article on her wedding in The Knot, the premier magazine for “all things wedding”! The issue will hit the newsstands on June 26, 2017. Below are small photos of the 3-page article, and the fourth one is a composite of the photo of me working and the list of vendors. Click each image for enlargeable view.

Click image for enlargeable view.

Click image for enlargeable view.

Click image for enlargeable view.

Click image for enlargeable view.

 

Faded Glory

June 11, 2017 in Other Art

Oil painting of faded American flag and rusty flagpoleSome paintings beg for no words. I painted this painting on the sad day the American president withdrew from the Paris Climate Accord.

Went to a Garden Party, en Plein Air

June 4, 2017 in Landscape, Plein Air

Sometimes our local group of plein air painters receives an invitation to paint at an event. When that happens, usually 4 or 5 of us will show up, and it is always fun. The garden party today, at Clay30A, was no exception. It was the 5th anniversary for the Seagrove Beach, FL, nursery and gift shop. I meant to arrive an hour early, because the party was only scheduled for 2 hours in the afternoon, and I wanted a head start. Alas, somewhere I lost an hour, so I arrived right after the party started. Several fellow painters were already hard at it. The business is a cornucopia for plein air painting – brilliant light and color and contrasting dark shadows galore. I often bite off more than I can chew when we (the Emerald Coast Plein Air Painters) paint here, so today I purposefully chose a simple subject, pots of flowers hanging from a tree. I correctly guessed that the sun would be starting to hit the flowers by the end of the party at 5:00, which was when I would be ready to paint the light. From when I started at 3:00 until then, I was busy with simple shape making and background colors. At the end, I was pleased with my result, so I gave it to the owner to thank her for inviting our group. To our surprise, she gave each of us a sweet card and gift. I am so grateful to live in such a classy place! Below is my painting. There was one change I made after shooting this photo — I removed the pot hanger I had started to paint in below the lowest hanging pot on the right. I decided that it would be difficult to identify, and that visually it would be less confusing to have the pots just hanging from the tree.

Oil painting of hanging impatiens at Clay30A nursery and gift shop, Seagrove Beach, FL

Trying Something Different, en Plein Air

June 4, 2017 in Landscape, Plein Air

I grow faster as an artist if I occasionally try something new, with a technique, a medium, or a subject I don’t normally use. Last week I posted a work in soft pastels. I’ve painted a couple more since then, for more exposure to the medium. Pastels are an excitingly different medium than the oil paints I normally use.

A month ago, I enjoyed oil painting using only black, white, and gray, to meet the requirements of a call for art by my local arts alliance. I painted en plein air, on a 12″ x 36″ stretched canvas, at Salinas Park near Port St. Joe, Florida, on the road to Cape San Blas. The marsh there is one of my favorite scenes. When I was a mentor for the Forgotten Coast en Plein Air in 2016, as a Florida’s Finest Ambassador, I taught 3 sessions at Salinas Park, but there is a difference between painting as a demonstration, and painting for the sheer pleasure of it. I loved doing this painting using only black, white, and gray. The only times I have painted with this palette of neutrals is in classes, either as a teacher or as a student. I really ought to do it more often, making a completed painting out of a value study, such a beneficial exercise! Unfortunately, the painting was not accepted into my local arts alliance’s exhibit — so I can’t wait to see the art that was accepted! To see a larger view of this painting, CLICK HERE.

Oil painting of the marsh at Salinas Park, Cape San Blas, Port St. Joe, FL, painted en plein air in black, white, and gray

The pastel works I completed last week are below. I specifically worked on creating the illusion of distance in all of these paintings, by softening distant edges, reducing detail,and reducing distant intensity and heightening the values. Pastels are pure pigment, and it is a challenge to reduce the intensity when you only have a couple hundred colors. Painters who work regularly in pastels have probably a hundred shades and tints of each color, perhaps a thousand colors in their box. As an oil painter, I am accustomed to mixing my colors. So it was a lot of fun allowing the brilliance of the pure pigment to show.

As always, message me if you are interested in owning any of my artworks.

Soft pastel study of a the afternoon light on the marsh at Bayou Texar, Pensacola, FL   Soft pastels painting of the marsh and bridge on Bayou Texar, Pensacola, FL

Keeping up With Inventory: Sales, Week of April 13, 2017

April 16, 2017 in Landscape, Other Art, Plein Air

LABEL BY ARTWORKARCHIVE.COM

Inventory record keeping can be a chore. I have many paintings. Some are on my studio walls, some are in storage, some are entered in shows, some are entered in competitions, some are in galleries, and some are out on loan. I used to simply upload my works to my website. But I might want a list of the paintings in a collection at a particular gallery, and my website cannot make reports. For that I rely on an online inventory system called Artwork Archive. This site allows me to assign my artwork to various collections (galleries, competitions, locations, etc.). It generates nice reports, and it can create gallery labels with as much or as little information on them as I want. For example, for a recent show at St. George Plantation on St. George Island, FL, I opted to include the one-paragraph “description” on each 4 x 6 label, because each of the paintings had a story, my experience and observations while I was painting it there on location, with which I knew the viewers would identify.

Artwork Archive also allows me to immediately mark a piece sold, and to record where it was sold and by which gallery or exhibit. It was a valuable tool this week, when a number of sales happened through various avenues. I sold a plein air painting off the easel on Wednesday, to the owner of the house in my painting. I also sold 3 paintings this weekend at the the St. George Plantation show. One of the galleries showing a number of my paintings called to say they had sold one painting, and also a small figure drawing, and the interior design shop representing me sent me a check for the proceeds from 3 paintings sold. Plus I received an order for a commissioned painting. It was a good week! Artwork Archive made simple the record keeping for these sales.

It also can make a beautiful report on any single painting, complete with image.

Before I started using Artwork Archive, I used to try to keep a spreadsheet of sorts, but it was cumbersome, to say the least. I still keep a spreadsheet of due dates and delivery dates for competitions and exhibits, but the bulk of my record keeping is on Artwork Archive.

Below are my sales for the week, a sample of the necessary record keeping. The first five are recent paintings.

Oil painting of General Miller's relocated house, in Point Washington, FL

Oil painting of two immature barn owls recently flown from the nest, St. George Plantation, St. George Island, FL

Oil painting the marsh view at Nick's Hole , Apalachicola National Estuarine Research Reserve

Oil painting o the Egrets' Pond on Leisure Lane, St. George Plantation, St. George Island, FL

 

The following paintings also sold this week.

Oil painting of the bright light on the water of the Gulf of Mexico at Henderson Beach State Park, Destin, Florida

Oil painting of misty palms in Marler's Park, painted en plein air

Oil painting of the beach foliage and beach umbrellas along the gulf-front at Seaside, FL, painted en plein air

Oil painting of the dunes south of Western Lake, at Grayton Beach State Park

All of the above paintings have sold. If you have a scene that you would like memorialized in a painting, contact me on this website’s “Contact Form”. I am happy to do commissioned work.

 

The Practice of Plein Air Painting

February 12, 2017 in Landscape, Plein Air

We “practice” yoga, we “practice” meditation. Plein air painting is “practiced”. Like yoga, and like meditation, plein air painting is performed, hopefully, with increasing awareness and perhaps with increasing skill, but I don’t know of any painter who thinks their practice is “perfected”. Even though a plein air painter might occasionally paint the best painting of her or his life, the next painting still begins with the proverbial blank canvas. I paint weekly with the Emerald Coast Plein Air Painters. Actually, I coordinate the weekly sessions, sending out the location to the email list of 240 people, and meeting the group of 2 to 15 painters who might show up. We paint for 3 hours, and then have a soft critique, followed by lunch at a local restaurant. The social aspect of the weekly get-togethers reinforces my practice.

In January, it was foggy for one of our sessions, at Turkey Creek in Niceville, FL. By the time we finished, the fog had lifted and colors had appeared, but initially my scene appeared to be monochromatic. I used a different approach for this foggy scene. Normally when painting en plein air, the darks are laid in first. But to create the atmosphere of light through the fog in this painting, I painted the light brownish-gray sky and water and the very light value background shapes, layering the darker, closer shapes on top.

Oil painting of the dunes at Henderson Beach State Park

The last week of January we painted at Henderson Beach State Park in Destin, Florida. The Florida Panhandle coast from Panama City to Pensacola is covered with sugar-white, fine quartz sand from thousands of years of erosion carried down to the Gulf of Mexico by the Apalachicola River. The white sand picks up reflected color from everything around it, and sometimes the compliments of those colors are sensed by the viewer. The sand might appear pink next to the green foliage topping a dune, or warmer and yellower near cool shadows.

The next week we painted at Camp Helen State Park, which is on the Walton County / Bay County border. The park contains hardwood live oak and pine hammocks, marsh ecosystems, and sandy beach. I hiked out to a view of the dunes, where I could just make out the skeleton of the old pier. I was challenged by the puffy little clouds covering most of the sky, with a little blue peaking out just here and there.

The first weekend of February, I drove two hours east to the village of Apalachicola to meet up with my friend Lynn Wilson, owner of On the Waterfront Gallery and President of the Artists of Apalachicola Area. Lyn is sponsoring monthly Weekend Warrior painting workshops, and this weekend was the first, taught by Atlanta artist Debra Nadelhoffer. I took the workshop both to learn and also to observe the logistics, since Lynn has invited me to teach the workshop in May. Debra likes to paint the sky with different colors of the same value in order to impart the shimmer or movement of the air that she sees. I painted the above painting, and later was painting on a new canvas, trying to learn how to paint the blinding glimmer of sunlight on water, when passers-by stopped and asked to purchase the above painting. The following paintings were also painted in the Nadelhoffer workshop, as I tried new color combinations, and exaggerations of color.

After returning home, I painted with the Emerald Coast Plein Air Painters, and found myself experimenting with color temperatures in order to enhance the feeling of space and mood. I did not finish the painting (below) and did not keep it, satisfied with what I learned in the process.

All of these paintings are available for purchase. Contact me for information, using the form that comes up when you click on the painting.

 

Out with the Old, In with the New: From 2016 to 2017

January 17, 2017 in Landscape, Plein Air

2016, A Year of Recognition

An art career doesn’t happen overnight.

When I received my degree in Fine Art, I imagined that I would be a fulltime artist by the time I was 40 years old. Instead, I was completely immersed in a growing pool service business, with hardly enough time to produce the occasional donation of art for charity. It would be another 15 years before things would change.

In 2007, with the economy slowing to a crawl, my business growth stopped and I found myself with a good deal of free time. I began producing art every week and I started volunteering for the local arts organization, the Cultural Arts Alliance of Walton County, helping to organize and produce art exhibits. Soon after, I became a member of the Board of Directors. I began painting en plein air in 2012, and in 2015 I volunteered to be the coordinator for the Emerald Coast Plein Air Painters. Finally, in late 2015, I sold my pool service business, and I began pursuing my art career more diligently.

And now it is the end of 2016. What a year it has been! I continue to serve for the Cultural Arts Alliance of Walton County, and I continue to coordinate the weekly gatherings of the Emerald Coast Plein Air Painters. Here’s my year in review:

In January, the Sunshine Art Center / Beach Art Group produced a solo exhibit of 55 of my paintings, honoring me for winning People’s Choice Best in Show at the Local Color Plein Air Paint-Out in Lynn Haven, Florida, which was held last fall.

Also in January, all 3 of my entries were accepted into the Southeast Regional Juried Art Exhibition at the Mattie Kelley Art Center at Northwest Florida State College in Niceville, Florida, and “Western Lake with Umbrella Trees”, my 12 x 24 plein air oil painting, won 3rd place.

At the end of January, I was the featured plein air painter and workshop instructor for the Florida Chautauqua Assembly in DeFuniak Springs, Florida.

I was the February Artist of the Month for the Freeport Art League, displaying work at the City Hall in Freeport, Florida.

In mid-February, I got my left thumb repaired, CMC arthroplasty, which gave me a new thumb joint. I practiced with watercolors while I had use of only one hand, which was less messy and a fun return to my years fresh out of college.

In the spring, I received a phone call from Joe Taylor, from the Forgotten Coast Coalition in Apalachicola, Florida, telling me I would be one of six artists selected from across the state to be a “Florida’s Finest en Plein Air” Ambassador for 2016 until May of 2017. That recognition gave me a good deal of credibility among other artists and attendees of the annual Forgotten Coast En Plein Air Invitational in Apalachicola. I also gained immeasurable experience teaching the fifteen one-on-one plein air painting lessons as an Ambassador.

In June, I coordinated an exhibit of works by the Emerald Coast Plein Air Painters at Sacred Heart Hospital on the Emerald Coast.

I continued my weekly painting excursions with the Emerald Coast Plein Air Painters through the summer, and was the luncheon speaker at the Arts and Design Society in Ft. Walton Beach in July.

In the fall, I taught two more plein air painting workshops – one in Panama City and one in Santa Rosa Beach.

Also in the fall, I competed in the Bagdad-Milton Plein Air Paint-Out near Pensacola, Florida, where I was honored to receive Best in Show for my 12 x 24 oil painting “Anticipation”.

A month later I was asked to be the judge of the Alabama Plein Air Artists’ Gulf Shores Paint-Out Quickdraw, which allowed me to demonstrate my expertise in evaluating art.

The final honor for the year was being juried into the Foster Gallery, a co-op of the Cultural Arts Alliance of Walton County, which exhibits 15 select artists every quarter.

I was the November Artist of the Month for the Freeport Art League, displaying work at the City Hall in Freeport, Florida.

Also in November, I had my right thumb repaired, CMC arthroplasty, the same surgery I had on my left thumb in February. I practiced working with pastels instead of oils, for 5 weeks while my right hand was immobilized, using my left (non-dominant) hand. Pastels are great fun, a welcome addition to my repertoire. I was surprised that using my left hand was not the nuisance I anticipated, just another challenge.

The events of this past year have improved my reputation as an artist, and have given me the confidence to set more ambitious goals. In 2017 I will be making a strong effort toward marketing as I continue to strengthen my painting skills.

My dream is to be able to travel and paint, and I have begun to realize that dream. In August I traveled with local painter Rebecca Perrott, to Arizona to take a workshop from my favorite instructor, Morgan Samuel Price, and in October I traveled with two other local painters, Theresia McInnis and Deborah Scott Mason, to North Georgia for a short week of plein air painting in the Blue Ridge area. In February I will travel with Apalachicola painter Lynn Wilson and a number of other painters to New Zealand for a week of plein air painting and adventure, on Plein Air Magazine’s Publisher’s Trip.

Plein air painting comes with many challenges which include the changing light, the weather, insects, and even by one’s own fitness. Sometimes I think I must be crazy to enjoy it so much. But after years of burning the midnight oil managing a business, which thankfully paid the bills, but did not nurture the soul, I am thrilled to be well on my way in this new career, the career I dreamed of!

It is my joy is to share the beauty I see.

Below are recent paintings. The first painting is the first one painted in oils with my new thumb joint, post-surgery, a bitter cold day. Eden Gardens State Park is one of our favorite locations to paint. It was decorated for the holidays, but I was sufficiently challenged to just get a bit of the structure, my primary interest being the intense color of the resurrection fern growing on the live-oak trees.

Oil painting of the mansion at Eden Gardens State Park in Pt. Washington, FL, painted en plein air

The next painting below was painted on a warmer day, outside the Foster Gallery at the Market Shops at Sandestin, Florida, where I was accepted as one of the 15 artists to show work this quarter. It is a small painting, only 6×6, but as is usually the case, something I had never painted before.

Oil painting of pansies, painted en plein air

The next week we painted the Western Lake Outfall at Grayton Beach, Florida. The coastal dune lakes of our county are a rarity, being found only in a few other places in the entire world. When a coastal dune lake accumulates enough rain run-off, it breaks open and the overfill flows into the Gulf of Mexico, and tides then exchange saltwater with freshwater in the lake, until the beach builds up and closes off the lake outfall again. The outfall was flowing on the day we were there. When I say we, I am talking about the Emerald Coast Plein Air Painters, a group of avid artists meeting weekly at various locations, to paint en plein air. On this day, the sky was completely overcast, and the entire scene was muted shades of gray, except for a coral strip of sky between the clouds and the Gulf waters. Halfway through our morning painting session, the blinding sun came out, and suddenly the entire scene was in color. The smarter painters set their first canvas aside and began another painting. The rest of us fussed and fumed our way through, perhaps relying on a photo or two to quickly finish our paintings before our memory gave out.

Oil painting of the Western Lake Outfall in Grayton Beach, FL, on an overcast day, painted en plein air

Last week we painted at the Destin Library. Beautiful gardens and landscaping surround the library. Unfortunately, we had a hard freeze the weekend before, so many of the camellia blossoms has dropped off, but on one bush new blossoms had opened since the freeze, and that bush begged to be painted.

Oil painting of the camellias and grounds at the City of Destin Public Library, Destin, FL, painted en plain air

Yesterday I was nominated to post a painting a day in the 7-Day Artist’s Challenge on Facebook. The first day I shared Thistle Bloom, which I will be giving away out of my display at the Foster Gallery where I am one of the juried artists exhibiting through February 25, 2017. Today I shared the painting below. This 12×24 oil painting was done almost all en plein air at Twin Oaks Farm last September. When we first got there, the early morning light was beginning to warm the chicken sheds and the rolling fields, and the sheep were just waking up.

Oil painting of the chicken sheds, chickens, sheep, and rolling fields at Twin Oaks Farm in Bonifay, FL, painted en plein air

Click on any image for purchase information.

Joan Vienot Juried Into The Foster Gallery Winter Rotation

December 2, 2016 in Landscape, Other Artists, Plein Air

postcard

RSVP required for the reception, to Lee, at (850) 622-5970.

 

Joan Vienot, Melody Bogle, Carol Ann Cain, Donnelle Clark, Kathy Schumacher, Krista Schumacher, Margaret Biggs, Mary Redmann, Melissa Brown, Polli Youngbeck, Robin Wiesneth, Sarah Stewart, Susan Lucas, Victoria Guennewig, and Roslyn O’Grady are the 15 artists juried into The Foster Gallery’s Winter Rotation. Depending on the sizes of their works, each artist is showing from 5 to 15 pieces. “The Foster Gallery is an artist co-operative led by the Cultural Arts Alliance of Walton County that features at least a dozen artists on a seasonally rotating basis, along with special exhibits. Named for the late Susan Foster, founder of the Cultural Arts Alliance and one of the area’s first professional artists and gallery owners, The Foster Gallery also symbolizes the support the CAA strives to provide for artists in our community. Conveniently located in the Market Shops at Sandestin, The Foster Gallery is available as a venue for meetings, parties, social gatherings and other small events.” (https://www.culturalartsalliance.com/local-arts/foster-gallery/) The Foster Gallery is located beside Ben & Jerry’s in the Market Shops, at 9375 Emerald Coast Parkway, Miramar Beach, FL 32550.

https://www.facebook.com/caafostergallery/

The Foster Gallery Facebook page screenshot

 

Painting Trips and Events – Too Busy to Blog

October 28, 2016 in Landscape, Plein Air

My art/life vision is starting to manifest. A few years ago, after more than 30 years in a non-art career, I began to get a serious itch to be done with that work so that I could paint more. I continued to paint just once a week, and often blogged weekly, and late last year I sold my business. Now, I am lucky if I can get a blog written once a month, because I am painting so much more.

Oil painting of the colorful foreground brush on a rainy day at Grayton Beach State Park in FloridaThere often is a social element to painting en plein air, several artists painting together, working silently most of the time, but supportively interacting before and after painting. I find I enjoy that aspect immensely. It can take the sting out of challenging experiences, and it can reinforce the successful ones. The former was the case when 4 of us painted at Coastal Dune Lake Appreciation Day at Grayton Beach State Park in September. The weather was threatening, and the food vendor left soon after the festival started. There event was not very well attended, and our pavilion became the gathering place for the few die-hard sponsors and supporters. But we had each other, and that kept us there painting through the drizzle. At right is the painting I completed, showing the rich reds underneath the near grasses and bushes, and the beach dunes in the background.

I also enjoyed my first plein air painters trip that was independent of any festival or workshop. Three of us went to the mountains of North Georgia and North Carolina to paint for half a week. Our host, Theresia McInnis, had researched and mapped out a number of wonderful, scenic locations for us to paint, and we were absolutely in heaven. Below are the paintings I completed on that trip. I am happy to report that the painting titled Dry Falls sold to a tourist right off my easel.

Oil painting at Dry Falls, NC, painted en plein air

Dry Falls, NC

Oil painting of the pizza shack on the Nantahala River, North Carolina

 

 

 

 

 

 

 

 

 

 

Oil painting of cone flowers on the porch, Murphy, North CarolinaOil painting of the autumn gold trees lining the Nantahala River, in North CarolinaOil painting of the bridge at Vogle State Park, with the rocky, reflective creek underneath early autumn colors