Habits and Routines in the Artistic Process

August 18, 2017 in Figure Drawing, Landscape, Plein Air

I am struggling with an absence of routine. Without it, certain basic maintenance tasks are neglected. I like to get up in the morning, have a cup of coffee, read something inspirational, and write my 5 gratitudes, and do a short meditation before I get my day underway. But lately I have been getting sidetracked into the day’s business as soon as I get my coffee — starting with email correspondence, news, and social media updates, and I never get back to my morning quiet time. My life has been complicated by a pesky knee injury which has required a good deal of physical therapy and greatly reduced my physical activity. I am coming out of that phase in my life, increasing my activity, improving my nutrition, and I intend to restore routine to my life.

I used to blog weekly. I couldn’t believe my eyes this morning when I saw that my last post was 2 months ago. This was a certain message that I need to re-organize my life.

It’s not that I haven’t gotten things done, or that I have neglected my spiritual and psychological health. But I have neglected a lot of things, obviously blogging being one of them.

So why does that matter? Because blogging is one of my chief way of assessing progress, with a little introspection on the side. Self-assessment is essential for monitoring progress.

In brief, projects accomplished and actions taken over the past two months:

  • Continued coordinating and attending weekly Wednesday morning plein air painting excursions with the Emerald Coast Plein Air Painters, with the goal of maintaining community among the painters, and maintaining if not improving my skills.
  • Organized and hung a small exhibit of works by the Emerald Coast Plein Air Painters in the lobby of Northwest Florida State College South Walton Center, with the goal of constantly exposing young minds to plein air painting, and with the end goal of creating appreciation for the genre, encouraging young artists, and perhaps inviting future participation and patronage.
  • Served as coordinator for a juried exhibit of plein air paintings for my local arts alliance at the Foster Gallery, preliminary to an event we are planning for this fall.
  • Completed my 4 months of physical therapy for IT Band Syndrome due to knee arthritis (what a pain!!)
  • Vacationed in Montana for a week with my sisters from Colorado, and their families, and visited my 97-year-old Dad in his senior home in Colorado, and shared pie with my brother and his family there.
  • Completed a commissioned painting for a patron.
  • Exhibited in two special exhibits at the Foster Gallery – showing two plein air paintings in Outdoor Magic 2017, and a figurative piece in Faces & Figures.
  • Studied DVD’s by plein air painters Laurel Daniel and Joseph McGurl.

Below are studies and works done over the past couple of months.

Oil painting of the "umbrella trees" at Western Lake in Grayton Beach, FL, at dawn, a commissioned work 8"x48"

See full-size at Umbrella Trees at Dawn. This painting was commissioned by local friends who had a very specific space where they wanted to hang it in their house, a space roughly 9″ x 60″. The painting is 8″ x 48″. They gave me the subject, an iconic local treeline that we know as the “umbrella trees”, at Western Lake near Grayton Beach, Florida. They wanted to see it every morning and smile. So I chose dawn.

 

Oil painting of the first light of dawn coming over the mountain to kiss the grassy hill at Green Bear Ranch, Eureka, MT

The first light of dawn coming over the mountain to kiss the grassy hill at Green Bear Ranch, Eureka, MT, painted en plein air while on vacation with family two weeks ago. (click photo for larger image)

Oil painting of the road cut across Dickey Lake, MT, on a day hazy from the smoke of forest fires in BC, Canada.

Plein air painting of the road cut across Dickey Lake, Montana, on a day hazy from the smoke of forest fires in BC, Canada. (click photo for larger image)

Oil painting of the grassy rise edging the roadside park between Basin Bayou and Villa Tasso on the Choctawhatchee Bay in Florida

A roadside park in Choctaw Beach, on the Choctawhatchee Bay in NW Florida, painted en plein air. (click photo for larger image)

Oil painting of the lake at Lincoln Park in Niceville, FL, with the muted colors of a cloudy day

View from Lincoln Park, Niceville, FL, on a cloudy day, painted en plein air. (click photo for larger image)

Oil painting of a V-bottomed boat at Nick's Restaurant on the Choctawhatchee Bay at Basin Bayou near Freeport, FL

V-bottomed boat at Nick’s Restaurant on the Choctawhatchee Bay at Basin Bayou near Freeport, FL, painted en plein air. (click photo for larger image)

Oil studies of the light on the water at Thomas Pilcher Park in Santa Rosa Beach, FL

Plein air studies of the light on the water at Thomas Pilcher Park in Santa Rosa Beach, FL. (click photo for larger image)

Oil painting of a bend in the creek, showing the transparent tannin-stained water over the sand bar, at Turkey Creek in Niceville, FL

Plein air painting of the a bend in the creek, showing the transparent tannin-stained water over the sand bar, at Turkey Creek in Niceville, FL. (click photo for larger image)

I drew Katie and Marley for a special exhibit by my local arts alliance called “Faces & Figures” at The Foster Gallery. Katie is a neighbor in my community who walks her dog in Eden Gardens State Park. On this day, she was sitting on the bench up by the bayou. The paper actually is a very light blue — the camera incorrectly corrected for color-cast. (click photo for larger image)

As always, contact me if interested in available art or a commission.

 

Keeping up With Inventory: Sales, Week of April 13, 2017

April 16, 2017 in Landscape, Other Art, Plein Air

LABEL BY ARTWORKARCHIVE.COM

Inventory record keeping can be a chore. I have many paintings. Some are on my studio walls, some are in storage, some are entered in shows, some are entered in competitions, some are in galleries, and some are out on loan. I used to simply upload my works to my website. But I might want a list of the paintings in a collection at a particular gallery, and my website cannot make reports. For that I rely on an online inventory system called Artwork Archive. This site allows me to assign my artwork to various collections (galleries, competitions, locations, etc.). It generates nice reports, and it can create gallery labels with as much or as little information on them as I want. For example, for a recent show at St. George Plantation on St. George Island, FL, I opted to include the one-paragraph “description” on each 4 x 6 label, because each of the paintings had a story, my experience and observations while I was painting it there on location, with which I knew the viewers would identify.

Artwork Archive also allows me to immediately mark a piece sold, and to record where it was sold and by which gallery or exhibit. It was a valuable tool this week, when a number of sales happened through various avenues. I sold a plein air painting off the easel on Wednesday, to the owner of the house in my painting. I also sold 3 paintings this weekend at the the St. George Plantation show. One of the galleries showing a number of my paintings called to say they had sold one painting, and also a small figure drawing, and the interior design shop representing me sent me a check for the proceeds from 3 paintings sold. Plus I received an order for a commissioned painting. It was a good week! Artwork Archive made simple the record keeping for these sales.

It also can make a beautiful report on any single painting, complete with image.

Before I started using Artwork Archive, I used to try to keep a spreadsheet of sorts, but it was cumbersome, to say the least. I still keep a spreadsheet of due dates and delivery dates for competitions and exhibits, but the bulk of my record keeping is on Artwork Archive.

Below are my sales for the week, a sample of the necessary record keeping. The first five are recent paintings.

Oil painting of General Miller's relocated house, in Point Washington, FL

Oil painting of two immature barn owls recently flown from the nest, St. George Plantation, St. George Island, FL

Oil painting the marsh view at Nick's Hole , Apalachicola National Estuarine Research Reserve

Oil painting o the Egrets' Pond on Leisure Lane, St. George Plantation, St. George Island, FL

 

The following paintings also sold this week.

Oil painting of the bright light on the water of the Gulf of Mexico at Henderson Beach State Park, Destin, Florida

Oil painting of misty palms in Marler's Park, painted en plein air

Oil painting of the beach foliage and beach umbrellas along the gulf-front at Seaside, FL, painted en plein air

Oil painting of the dunes south of Western Lake, at Grayton Beach State Park

All of the above paintings have sold. If you have a scene that you would like memorialized in a painting, contact me on this website’s “Contact Form”. I am happy to do commissioned work.

 

Out with the Old, In with the New: From 2016 to 2017

January 17, 2017 in Landscape, Plein Air

2016, A Year of Recognition

An art career doesn’t happen overnight.

When I received my degree in Fine Art, I imagined that I would be a fulltime artist by the time I was 40 years old. Instead, I was completely immersed in a growing pool service business, with hardly enough time to produce the occasional donation of art for charity. It would be another 15 years before things would change.

In 2007, with the economy slowing to a crawl, my business growth stopped and I found myself with a good deal of free time. I began producing art every week and I started volunteering for the local arts organization, the Cultural Arts Alliance of Walton County, helping to organize and produce art exhibits. Soon after, I became a member of the Board of Directors. I began painting en plein air in 2012, and in 2015 I volunteered to be the coordinator for the Emerald Coast Plein Air Painters. Finally, in late 2015, I sold my pool service business, and I began pursuing my art career more diligently.

And now it is the end of 2016. What a year it has been! I continue to serve for the Cultural Arts Alliance of Walton County, and I continue to coordinate the weekly gatherings of the Emerald Coast Plein Air Painters. Here’s my year in review:

In January, the Sunshine Art Center / Beach Art Group produced a solo exhibit of 55 of my paintings, honoring me for winning People’s Choice Best in Show at the Local Color Plein Air Paint-Out in Lynn Haven, Florida, which was held last fall.

Also in January, all 3 of my entries were accepted into the Southeast Regional Juried Art Exhibition at the Mattie Kelley Art Center at Northwest Florida State College in Niceville, Florida, and “Western Lake with Umbrella Trees”, my 12 x 24 plein air oil painting, won 3rd place.

At the end of January, I was the featured plein air painter and workshop instructor for the Florida Chautauqua Assembly in DeFuniak Springs, Florida.

I was the February Artist of the Month for the Freeport Art League, displaying work at the City Hall in Freeport, Florida.

In mid-February, I got my left thumb repaired, CMC arthroplasty, which gave me a new thumb joint. I practiced with watercolors while I had use of only one hand, which was less messy and a fun return to my years fresh out of college.

In the spring, I received a phone call from Joe Taylor, from the Forgotten Coast Coalition in Apalachicola, Florida, telling me I would be one of six artists selected from across the state to be a “Florida’s Finest en Plein Air” Ambassador for 2016 until May of 2017. That recognition gave me a good deal of credibility among other artists and attendees of the annual Forgotten Coast En Plein Air Invitational in Apalachicola. I also gained immeasurable experience teaching the fifteen one-on-one plein air painting lessons as an Ambassador.

In June, I coordinated an exhibit of works by the Emerald Coast Plein Air Painters at Sacred Heart Hospital on the Emerald Coast.

I continued my weekly painting excursions with the Emerald Coast Plein Air Painters through the summer, and was the luncheon speaker at the Arts and Design Society in Ft. Walton Beach in July.

In the fall, I taught two more plein air painting workshops – one in Panama City and one in Santa Rosa Beach.

Also in the fall, I competed in the Bagdad-Milton Plein Air Paint-Out near Pensacola, Florida, where I was honored to receive Best in Show for my 12 x 24 oil painting “Anticipation”.

A month later I was asked to be the judge of the Alabama Plein Air Artists’ Gulf Shores Paint-Out Quickdraw, which allowed me to demonstrate my expertise in evaluating art.

The final honor for the year was being juried into the Foster Gallery, a co-op of the Cultural Arts Alliance of Walton County, which exhibits 15 select artists every quarter.

I was the November Artist of the Month for the Freeport Art League, displaying work at the City Hall in Freeport, Florida.

Also in November, I had my right thumb repaired, CMC arthroplasty, the same surgery I had on my left thumb in February. I practiced working with pastels instead of oils, for 5 weeks while my right hand was immobilized, using my left (non-dominant) hand. Pastels are great fun, a welcome addition to my repertoire. I was surprised that using my left hand was not the nuisance I anticipated, just another challenge.

The events of this past year have improved my reputation as an artist, and have given me the confidence to set more ambitious goals. In 2017 I will be making a strong effort toward marketing as I continue to strengthen my painting skills.

My dream is to be able to travel and paint, and I have begun to realize that dream. In August I traveled with local painter Rebecca Perrott, to Arizona to take a workshop from my favorite instructor, Morgan Samuel Price, and in October I traveled with two other local painters, Theresia McInnis and Deborah Scott Mason, to North Georgia for a short week of plein air painting in the Blue Ridge area. In February I will travel with Apalachicola painter Lynn Wilson and a number of other painters to New Zealand for a week of plein air painting and adventure, on Plein Air Magazine’s Publisher’s Trip.

Plein air painting comes with many challenges which include the changing light, the weather, insects, and even by one’s own fitness. Sometimes I think I must be crazy to enjoy it so much. But after years of burning the midnight oil managing a business, which thankfully paid the bills, but did not nurture the soul, I am thrilled to be well on my way in this new career, the career I dreamed of!

It is my joy is to share the beauty I see.

Below are recent paintings. The first painting is the first one painted in oils with my new thumb joint, post-surgery, a bitter cold day. Eden Gardens State Park is one of our favorite locations to paint. It was decorated for the holidays, but I was sufficiently challenged to just get a bit of the structure, my primary interest being the intense color of the resurrection fern growing on the live-oak trees.

Oil painting of the mansion at Eden Gardens State Park in Pt. Washington, FL, painted en plein air

The next painting below was painted on a warmer day, outside the Foster Gallery at the Market Shops at Sandestin, Florida, where I was accepted as one of the 15 artists to show work this quarter. It is a small painting, only 6×6, but as is usually the case, something I had never painted before.

Oil painting of pansies, painted en plein air

The next week we painted the Western Lake Outfall at Grayton Beach, Florida. The coastal dune lakes of our county are a rarity, being found only in a few other places in the entire world. When a coastal dune lake accumulates enough rain run-off, it breaks open and the overfill flows into the Gulf of Mexico, and tides then exchange saltwater with freshwater in the lake, until the beach builds up and closes off the lake outfall again. The outfall was flowing on the day we were there. When I say we, I am talking about the Emerald Coast Plein Air Painters, a group of avid artists meeting weekly at various locations, to paint en plein air. On this day, the sky was completely overcast, and the entire scene was muted shades of gray, except for a coral strip of sky between the clouds and the Gulf waters. Halfway through our morning painting session, the blinding sun came out, and suddenly the entire scene was in color. The smarter painters set their first canvas aside and began another painting. The rest of us fussed and fumed our way through, perhaps relying on a photo or two to quickly finish our paintings before our memory gave out.

Oil painting of the Western Lake Outfall in Grayton Beach, FL, on an overcast day, painted en plein air

Last week we painted at the Destin Library. Beautiful gardens and landscaping surround the library. Unfortunately, we had a hard freeze the weekend before, so many of the camellia blossoms has dropped off, but on one bush new blossoms had opened since the freeze, and that bush begged to be painted.

Oil painting of the camellias and grounds at the City of Destin Public Library, Destin, FL, painted en plain air

Yesterday I was nominated to post a painting a day in the 7-Day Artist’s Challenge on Facebook. The first day I shared Thistle Bloom, which I will be giving away out of my display at the Foster Gallery where I am one of the juried artists exhibiting through February 25, 2017. Today I shared the painting below. This 12×24 oil painting was done almost all en plein air at Twin Oaks Farm last September. When we first got there, the early morning light was beginning to warm the chicken sheds and the rolling fields, and the sheep were just waking up.

Oil painting of the chicken sheds, chickens, sheep, and rolling fields at Twin Oaks Farm in Bonifay, FL, painted en plein air

Click on any image for purchase information.

Paint Your Heart Out! Painting en Plein Air at Least Once a Week!

July 6, 2016 in Landscape, Plein Air

While I was employed full-time in my own business, managing the maintenance of 300+ swimming pools, some commercial, some residential, some high-use vacation rentals, in the resort area of South Walton County, in NW Florida, I was doing good to paint just once a week. I thought that as soon as I sold my business, I would immediately start painting every day. That has not yet turned out to be the case, although it is still a future goal. Currently I am painting for the most part still only just once a week en plein air, while I continue to provide consulting services to ‘my’ business, and while I get my home life organized and start building the business foundation for my art career. I feel very impatient, and it seems like life is moving like molasses, but then I look back and I see that mountains of change have happened. I trust that my closest friends for the most part forgive my thin patience as I find myself feeling stressed nearly to the breaking point. I have resumed more frequent stand-up paddleboarding now that my left hand has healed from CMC arthroscopy and that makes a huge difference in my “Zen”!  Also I began recovering neglected friendships this week, grateful that the people in my community are so rock-solid.

As I work on releasing an employment identity I have had for 35 years, I remember that I also have always identified as an artist. It’s just that there is a big difference between being a hobbyist, and being a career artist. My experience in business will be an asset. For now I am using the shoe-box method of accounting, and I am studying marketing, and I am continuing to improve my technique.

And that leads me to tell you of the encouragement I received from my dear friend this morning when I mentioned my plans for the day. “Paint your heart out!” she texted me. So I did, and I was pleased with my result, an oil painting of the dunes south of Western Lake at Grayton Beach State Park. In the distant background are the iconic “umbrella trees”, with the sugar white sand dunes topped by odd clumps of live oak, slash pine, and wild rosemary, pruned by the wind and the salt spray. I resisted the temptation to put the sweet yellow and red Indian Blanket flowers in the near foreground, since my intention was to capture the more distant skyline. The Indian Blankets will have to be painted another day. Below is today’s painting, 8×10, oil on linen panel.

Oil painting of the dunes south of Western Lake, at Grayton Beach State Park

Last week we painted at Ft. Walton Landing Park in Ft. Walton Beach. An simple orange dinghy caught my eye, my interest being the strong orange light and shadow, as well as the interesting shape. I scrubbed it out twice before I painted it the size I wanted, and then solved a compositional problem by adding another piling on the right. (Thank you for the tip, Weezie.)

Oil painting of an orange dinghy tied to the dock, Ft. Walton Landing Park, Ft. Walton Beach, FL

And the week before last, we painted at the amazing, beautiful “impossibly blue” Morrison Springs, near Ponce de Leon. I got caught up in the staccato of “impossible greens” shining through the dark cypress at the edge of the spring.

Oil painting of the light through the cypress trunks at Morrison Springs, Ponce de Leon, FL

It’s been a good several weeks. Today I mentored a fellow painter on compositional conventions, and I coached her to use tools available to her in today’s day and age, namely, her phone-camera, which serves as an excellent viewfinder. I use mine all the time, often taking a number shots or more before I decide on a particular viewpoint and framing of a composition, and then from there perhaps moving an element or two to create better balance, rhythm, and harmony. In fact, I am making images all the time, with my camera, and I am convinced that it has strongly boosted my feel for good composition.

For people who live on the Emerald Coast or people visiting from Ft. Walton – Destin – Santa Rosa Beach – eastern Panama City Beach areas, if you would like to receive notification of our weekly Wednesday painting sessions, email me at PleinAirEmeraldCoast at gmail.com. I serve as coordinator for the Emerald Coast Plein Air Painters, which merely means that I am in charge of email!

Sixteen members of our group are exhibiting works at Sacred Heart Hospital on the Emerald Coast now through August 31, 2016. Stop on by!

ECPAP Show postcard

It’s a Busy Month!

January 17, 2016 in General, Plein Air

Solo show PCB 1-2016

 

Here’s the line-up:

January 11 – March 11, 2016: Solo exhibition, Panama City Beach, FL. Beach Art Group is presenting an exhibition of oil paintings by Joan Vienot, winner of People’s Choice Best in Show at the 2015 Local Color Plein Air Festival paint-out. The exhibit will be displayed at Palms Conference Center in Panama City Beach from January 11 to March 11, 2016. Meet the artist at the reception, February 7, from 2:00 to 5:00 pm. Call Helen Ballance at (850) 541-3867 for other viewing times. http://www.beachartgroup.com/exhibitions–events.html

January 23 – March 4, 2016, with opening reception January 23, 6:00 – 8:00 pm: ADSO Southeast Regional Juried Art Show. All 3 of Joan’s submissions were accepted into this prestigious exhibition. http://www.mattiekellyartscenter.org/EventItem.cfm?ID=1038. 1/31/16 addendum: The judge awarded “Western Lake with Umbrella Trees” third place!!

January 29-30, 2016: Florida Chautauqua Assembly Plein Air Painting Workshop, Joan Vienot, Instructor. This workshop will provide new insight to accomplished painters, and courage for the beginner, with focus on simplification of subject matter, using value and intensity to create believable composition, and enhancement of color through temperature relationship. Joan will instruct in oil painting but all media are welcome. An optional half-day pre-workshop, January 28, 2016, will help the painter decide how to choose a subject to paint en plein air, observing the changing light and shadow, practicing “thumbnail” sketching, and planning interesting compositions. http://www.florida-chautauqua-center.org/assembly_2016/art_program_2016; Supply list at https://www.dropbox.com/s/vqk9u2fuzxe8n38/Workshop%20Description.pdf?dl=0. Joan also will be displaying a few select paintings in the Chautauqua Art Show. 1/31/16 addendum: 10 plein air painters enjoyed 2 beautiful sunny days of instruction! Click here for a photo of her demonstrating.

January, 2016 and thereafter: DeFuniak Springs Art Co-op, 9th and Baldwin, DeFuniak Springs, FL  32433. Joan is showing 10 paintings. https://www.facebook.com/defuniakspringsartcoop

February 1-29, 2016: Joan will be the Freeport Art League Artist of the Month, displaying paintings at Freeport City Hall during the month of February, at 112 FL Hwy 20, Freeport, FL 32433. https://www.facebook.com/FreeportArtLeague/

I hope you can spend some time at one or more of these events! There’s nothing like actually seeing the art in person. I try to take good photos of my work for this website, but a camera cannot ever completely capture the intensities and true color relationships the way that the human eye can. I look forward to seeing you!   ~ Joan Vienot

Too Busy to Blog!

December 12, 2015 in Landscape, Photography, Plein Air

It’s been a hectic two months. I will summarize with pictures.

In early November, I painted with the Emerald Coast Plein Air Painters at Bruce Cafe. We also had painted there last May, but I didn’t finish that painting. After we went back and painted there in November, I realized I just needed a few more dashes of color to finish capturing the essence on the May painting, so I finished it in the studio. Below are both paintings.

Oil painting of Bruce Cafe, Bruce, Florida

Bruce Cafe, November 2015

Oil painting of Bruce Cafe, in Bruce, Florida

Bruce Cafe, May, 2015

The next week we painted at Alaqua Animal Refuge. I had a lot of help from the young horses there. (Click on images for a larger view.)

Oil painting of the willow and pond by the entrance road at Alaqua Animal Refuge, Portland, FL

Click painting for purchase information.

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Early the next morning, very early, at 3 AM, I got up to get ready to help Helen Ballance with a television interview for the 2015 Local Color Plein Air Festival in Lynn Haven, Florida, an hour drive from my home. Paris Janos, WJHG Channel 7, was at Roberts Hall to talk with Helen about the festival, and I was one of two plein air painters providing color by painting during the multiple interview spots. It was dark when I started, so for the first time ever, I started with a black canvas. I struggled — the streetlight was stronger than my palette lamp. Things improved when first light hit the bank. Below is my painting, and my own part in the interview is at http://www.wjhg.com/news/newschannel7today/headlines/Color-Plein-Art-Festival-346679182.html.

Oil painting o Lynn Haven Bank & Trust, painted early morning en plein air for TV publicity for Local Color Plein Air Festival 2015

Click painting for purchase information.

The actual paint-out and festival was two days later, at Roberts Hall in Lynn Haven. To my pleasant surprise, I won People’s Choice Best in Show, which included a check for $300 and a solo show at Palms Conference Center in Panama City Beach in late January and February, 2016. Below is a [glare-y] photo of my painting a shot of how I look after an afternoon of competitive plein air painting, ha!

Oil painting of the light edging the potted flowers outside Victoria's Restaurant, Lynn Haven Florida, winner of People's Choice Best in Show at Local Color Plein Air Festival

Apologies for the glare on the photo!

Joan Vienot with People's Choice Best in Show award at Local Color Plein Air Festival, Lynn Haven, FL,November 14, 2015
Photo of People's Choice Best in Show painting at 2015 Local Color Plein Air Festival, Lynn Haven, FL

12122615_1118243564860829_737914790070585022_nMeanwhile, other activities included collecting images from local artists for a fundraiser calendar, and coordinating with the printer (message me if you want one — $12 each), images at https://www.dropbox.com/sh/eq37g61gzmezupv/AACTHegCiNwOz0lT9iXP9gD3a?dl=0;

Working on a new map for the hiking trails for Friends of Camp Helen State Park (watercolor and lots of graphics work);

Painting en plein air, completed in studio, at a big wedding reception (can’t post a pic yet, because it’s still drying — the owner gets to see it first);

Starting a little arthritis maintenance which may slow me down a little next year  😥  ;

Agreeing to teach a 2-day Plein Air Painting Workshop at the Florida Chautauqua Assembly January 29 and 30, 2016, with a half-day pre-workshop on Selecting a Plein Air Subject, details at Joan Vienot Plein Air Workshop;

And receiving notification that all three of my entries have been accepted juried into the Southeast Regional Art Exhibition at the Mattie Kelly Arts Center in Niceville in January and February. Yippee!!! Below are the images I submitted, two plein air paintings and one photograph:

Oil painting of the slash pines forming the iconic "umbrella trees' of Western Lake at Grayton Beach, FL, painted en plein air
Oil painting of the train depot and tracks at DeFuniak Springs, FL, facing east Vienot2 Lady Louise photography

I’m also pleased that my three submissions to the Cultural Arts Alliance of Walton County’s A+Art “One Size Fits All” have sold. Below are those images — two using photographic transfer onto the 10×10 panels, and the third a plein air painting floated in the 10×10 panel reversed, using it as a frame. The photographic images remain available if you would like a print.

Photo of the sunrise over the Choctawhatchee Bay, dramatized with Snapseed App Photograph of a lily on Ocheesee Pond, between Marianna and Chattahoochee, FL Oil painting of dune grasses at Henderson Beach State Park, Destin, FL

And finally, this week’s weekly plein air outing with the Emerald Coast Plein Air Painters, painting at Turkey Creek Park in Niceville, Florida:

Oil painting of Turkey Creek in Niceville, Florida, in the fall, 1/4 mile up the boardwalk

Click on images for more detailed information and for the contact form if you would like to purchase.

From Destin to Apalachicola

November 1, 2015 in Landscape, Plein Air

Oil painting of the food vendors and festival-goers at Destin Festival of the Arts, 2015When I take an art workshop, it provides a wonderful break from the full-time management of my pool service business and an opportunity to fully immerse myself in my art. I counted this week as a 6-day vacation, first participating in the two-day Destin Festival of the Arts (Mattie Kelly Arts Foundation) on Saturday and Sunday, then attending a Bill Farnsworth workshop through the Apalachicola School of Art Monday, Tuesday, and Wednesday, and finally, painting with Mary Erickson on Thursday.

IMG_9627-2The Emerald Coast Plein Air Painters had a booth in the Destin Festival of the Arts, with 6 painters representing the group. I enjoyed interacting with the festival-goers, talking to the other artists in our booth, and plein air painting one morning. A lot of work goes into a festival booth. Marian Pacsuta and her husband erected the tent, so it was fully assembled with ProPanels and wind-weights already in place by the time the rest of us arrived to hang our art on the curtain hooks Marian provided. She had a small table set up, covered to the ground with black spandex cloth. I had made some flyers explaining our group, and some group business cards the day before, so those were on the table along with artists’ business cards and a clipboard for folks to sign who wanted to receive the weekly notifications of our painting locations. To make sure the booth was manned at all times, I had scheduled the 6 participating artists and two additional artists helping, in two- and three-person shifts throughout the festival. At the end of the second day, we all converged to pick up our art and take down the tent, a feat accomplished in a mere 20 minutes. Many of us painted en plein air during the festival. I arrived early on the second day and had an uninterrupted block of time to paint my scene en plein air before festival goers came, and then I was able to add in a few people.

Oil painting of a trailered oyster boat on shady private launchAt 5:00 the next morning I jumped in the car to drive the two-hour trip to Apalachicola for the Bill Farnsworth workshop. Bill is one of the featured “plein air ambassadors” of the Forgotten Coast En Plein Air event in Apalachicola. I had seen and admired his work, so when the Apalachicola School of Art advertised his workshop, it was an easy decision to sign up. The workshop was billed as Field to Studio, but the 20 mph winds and rains of the remnants of Mexico’s Hurricane Patricia were emptying out on the Gulf Coast, so we just painted in the studio using photo references that Bill had brought. His demos seemed to build from silhouetted shapes to high contrast to color, first completing much of the detail of his focal area before progressing to the less emphasized parts of the composition. The first day I painted the trailered oyster boat on the left, from a photo that Bill brought, and the second day I painted his photo of a blue truck at a seafood business.

Oil painting of a blue pickup parked beside a seafood marketAt the risk of losing my momentum here, a little rant about artistic ethics: It’s not right to pass off a painting of someone else’s image as your own. Photography is an art in itself. If someone else shot the photo, they made the compositional decisions, and probably did some post-processing. I encourage everyone to always make sure you disclose that you used someone else’s photo reference, and give him or her credit. I know there are an abundance of images available on the internet, and some artists, even recognized artists and instructors, merely download an image from the internet and then paint it. Some artists even copy other artist’s paintings, and call them their own! I’ve coordinated exhibits where artists signed a statement of ownership when  their work is clearly a copy of someone else’s work! Explaining rejections of art due to ethics is difficult when people do not have the same values. Don’t get me wrong, there is a world of benefit in copying someone’s painting, especially a Master. I never learned so much as in one semester in college when I made it my assignment to copy drawings by recognized Masters, from daVinci and Michelangelo to Degas. But it’s wrong to call it your own art, without crediting the artist or photographer. I’ve even had friends download my photos from Facebook and then re-upload them without giving me credit, instead of using the convenient “share” button that Facebook provides. OK, enough about that. So I do sell my workshop paintings that used someone else’s photo, to recover the cost of the workshop, but I always disclose it and would not enter them in an exhibit or competition.

Finally, on the last day of Bill’s workshop, the sun came out and the winds died down and the birds sang! We had opportunity to paint en plein air in the morning and again in the afternoon after Bill’s demo. I tried hard to remember Bill’s focus on relative temperatures of color, as well as relative values. I painted an old but still living tree, and I painted the St. George Island lighthouse and museum.

Bill Farnsworth 2

Bill Farsworth 1

Bill Farnsworth, Apalachicola, October 2015

Oil pain ting of an old misshapen oak tree in Apalachicola, FL Oil painting of the St. George Island light and museum Click painting

The day after Bill’s workshop, I took a bonus day away from work, since my staff had handled everything well in my absence, my only concern being when my office manager used the words “creative accounting” to explain how she resolved a cash-flow situation, oh dear.

I used my extra day to paint with Mary Erickson, the Forgotten Coast en Plein Air’s Artist in Residence at St. Joe Buffer Preserve. With my sweet host and fellow classmate and painter extraordinaire Lynn Wilson (On the Waterfront Gallery) and other friends and fellow classmates, I had attended Mary’s introduction a couple nights before, where she had shown her amazing paintings in support of the buffer preserve’s mission of appreciation and conservation of the wildlife and exquisite dune and marsh habitats.

We found Mary at sunrise Thursday morning, and watched her deftly capture the pink and orange light on the clouds and the dunes. I decided to paint on some 4×6 miniature linen panels that I had bought by mistake, intending to buy a different size, and only 5, not 50! I painted 3 studies of the wildflowers in the changing light over the course of the day.

Mary Erickson 1

Mary Erickson, Salinas Park, Oct 2015

Mary Erickson 2 Mary Erickson 3
Oil painting of wildflowers in Salinas Park, mid-morning light Oil painting of wildflowers in Salinas Park, mid-morning light Oil painting of wildflowers in Salinas Park, mid-afternoon light

All in all, a fabulous week, and delivering 5 newer paintings to be shown at On The Waterfront Gallery in Apalachicola, to boot!

Healing With Art, An Exhibit At Sacred Heart Hospital

September 5, 2014 in Landscape

Two of my 8×10 plein air oil paintings been selected to be in “Healing with Art”, an exhibit sponsored by the Cultural Arts Alliance of Walton County in partnership with Sacred Heart Hospital’s Arts in Medicine program. The exhibit will be in the atrium of the Sacred Heart Hospital in Santa Rosa Beach. The beauty of art and the process of creating it can be a healing experience. The show, curated by CAA’s A+Art Committee, runs from September 19, 2014, through January 6, 2015, with an opening reception on Friday, Sept 26, 2014, 5-7 pm in the atrium lobby at Sacred Heart Hospital. “Healing With Art” is coordinated by Melody Bogle, and the venue coordinator is Sherry Londe.  Sacred Heart Hospital is located at the corner of Mack Bayou road and US 98, at 7800 US Hwy 98 West, Miramar Beach, FL 32550.  Y’all come! 🙂

Oil painting of the marsh, crossing over onto Indian Pass peninsula, Port St. Joe, FL

Marsh

Oil painting of the view from the Oak Marina at Niceville, Florida

Oak Marina

 

30A Songwriters, Chautauqua, and Girls Getaway, an Exciting 3 Weeks

January 21, 2014 in Landscape, Plein Air

Oil painting of the view from the Oak Marina at Niceville, FloridaI am painting 3 weekends in a row, or at least I plan to.  Let’s just say I’m taking my vitamins, in preparation for that much painting!

Last week I went to the Oak Marina, in Niceville, for the weekly outing with the Emerald Coast Plein Air Painters.  It was a bit breezy and chilly, but nothing like the 40 hours below freezing the week before!  I dare say no one here in Northwest Florida was out painting that week!  I know I wasn’t — I was huddled by the fireplace.  This week I just put on my wind pants and turned up my collar.

I was working on a canvas panel that I had underpainted with a sort of a russet color acrylic, which initially I regretted, because it was difficult to cover when I was trying to paint my sky.  Later in the painting I achieved the results I had wanted, when I scratched down to the underpainting for the detail lines.  Accomplished fellow painter Charlotte Arnold told me to feather downward on the juicy paint to turn my splotches into Spanish moss, on the huge oak bordering my painting.

Oil painting of eucalyptus in a blue pot at Grayt Grounds of Monet MonetThis past weekend was highlighted by the annual 30A Songwriters Festival, one of two amazing festivals produced by the Cultural Arts Alliance, the area arts organization here where I live.  I was privileged to work with my friend Leslie Kolovich who produces podcast interviews.  She had several singer-songwriter artists and groups in her studio over the weekend, who performed live and impromptu for us.  You can listen to those podcasts at www.supradioshow.com.  Below is a quick iPhone photo of THE Jeep Rosenberg being interviewed (I love this job).

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Oil painting of Chinese lion statue at Grayt Grounds of Monet Monet

In the mornings I painted plein air in the gardens at Grayt Grounds of Monet Monet, the wonderful coffeeshop and event venue that is displaying some of my work.  They put my work on easels throughout the gardens, for the weekenders strolling through with their coffee, who chatted with me while I painted.  It was downright cold the first day, so I looked like the Michelin Man, dressed in my quilted snowsuit.  The second morning was much warmer, and I enjoyed the sounds of a band playing for the coffeeshop patrons while I painted.  Grayt Grounds is selling my work online too:  Click here!

This weekend on Friday, Saturday, and Sunday, January 24-25-26, 2014, I will be painting “on the circle” around the lake in DeFuniak Springs, FL, for the Chautauqua Festival.  A number of painters from our local plein air group will be there, as well as some traveling specifically for this event.  The festival has dedicated a room for us to hang our wet paintings, and has invited us to show our work.  On Friday the 24th, I also will be attending the opening reception for the A+Art “Outdoor Magic” exhibit of plein air paintings at the South Walton Center of Northwest Florida State College.  I might still be in my painting clothes!!

And the weekend after that, on Superbowl weekend, I will be painting in Rosemary Beach, during the Girls Getaway, again with other local plein air painters.

Anyone can paint at these events.  If you want to paint with us, you may contact me through this website and I will put you in touch Beckie Perrott, who graciously informs us of all these plein air opportunities.

This last painting I made this weekend, was one of the two stone Chinese lion statues in the gardens at Grayt Grounds.  With the typical bugged-out eyes, and a large pearl in his mouth, this iconic statue was harder to paint than I thought it would be.  I ended up not painting much of the surrounding foliage, spending most of the time trying to capture his face.  This lion was different than most of this type.  Most of these are in pairs, as is this set, and the male lion has a ball under his right foot, and the female an inverted cub under her left foot, but this lion has a four-legged critter sitting under his right foot, a critter I could not identify.  I’ll have to ask the owner, who owns the jewelry store next to the coffeeshop.

Most of my paintings and images are available for purchase.  Contact me if you are interested. — Joan Vienot

 

A Successful Opening at Grayt Grounds of Monet Monet

November 6, 2013 in Landscape

Oil painting of canoes in front of Western Lake at Grayton Beach State ParkThe opening of my solo show at Grayt Grounds of Monet Monet was as amazing as I had hoped it would be.  My fifty oil paintings, mostly framed 8 x 10’s, were hung inside the walls of the building and also were displayed on easels positioned around the gardens.  With catering provided by Grayton Beach Catering, Donald and crew teased and tempted the guests with delectables, and David served wine.  I was overwhelmed by the attendance of so many friends and fellow artists.  Assisted by Nicole, Eileen West and proprietor Cheri Peebles sold and wrapped paintings throughout the event.  Eileen proclaimed it an excellent debut.

I had painted in the Oil Painters of America’s Great American Paint-Out in Grayton Beach State Park the very day of my opening, so a sign warned attendees of the Wet Paint on my painting of Canoes at Grayton Beach State Park, above right.

I also had recently painted a couple of plein air pieces, which had not yet been posted,so here they are:

Oil painting of potted plant and cherub at Grayt Grounds of Monet Monet Oil painting of fountain at Grayt Grounds of Monet Monet

 

The most significant sale was one of the two larger paintings I exhibited, a 30 x 40 gallery wrapped stretched canvas oil painting of the early sunlit grasses across the bayou that I could see from my house:

Oil painting of the golden grass in early morning sunlight on Tucker Bayou, Point Washington, FL

I don’t have an exact count, but I believe the following paintings also sold on opening night, and the last one pictured sold yesterday.  Approximately 40 paintings remain on display.

Oil painting, study of water lilies Oil painting of Nature Trail at Grayton Beach State Park Oil Painting of Bayou Grass, Point Washington, FL
Oil Painting of Pelican on Providenciales 2012-1130 NC Woods 2012-1128 Breaking Dawn, Jack, AL
Plein air 2 Reflections study 2

 

The paintings in the exhibit have all been completed within the past year.