Plein Air Symmetry

August 20, 2015 in Landscape, Plein Air by joanvienot

I can’t remember the last time I painted my subject dead center in a symmetrical composition. But the live oak tree at Oak Marina had such a commanding presence yesterday morning that I decided to give it a go. It probably is 500 years old, with at least three main trunks coming up out of a common root, typical of live oaks in the wild. I remember learning when I was running a campground near where I now live, that when a branch of a live oak is plowed under, soon there will be several sprouts coming up from it, and which if allowed to grow, will form a small grove, all with a common root. Some trunks might join together, like this giant oak appeared to. It’s crown stretched at least three-fourths of the way across the water-frontage of the marina.

I was painting with the Emerald Coast Plein Air Painters, the local group of weekly-painting plein air artists. I have volunteered to be the group’s coordinator of this year. Every Sunday I email everyone with the coming Wednesday morning location, and whoever shows up paints. For myself, I find that painting plein air with a group provides a social component that gets me out to paint when I otherwise might just blow it off, like when things are hectic at work or the weather is iffy.

The clouds came and went, rapidly changing the colors of the subject. sometimes the reflected light on the hard shiny leaves was blue, and then when the sun came out again, the colors would warm and glow. The Spanish moss swung underneath with the light breeze. The tree is so big that when you stand underneath it, it gives a feeling of rock-solid fortress-like security, but from a distance, it looked young again. This was one of those days that I personally identified with my subject.

Oil painting of the huge live oak tree at Oak Marina in Niceville, FL

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