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Learning to See Better through Plein Air Painting

2014-0508 Thumbnail Sketch, Boat in Drydock2014-0513 Value Sketch, Fishing BoatsDon Demers, one of my workshop instructors last week, tongue in cheek, said “Plein air painting creates bad drivers.”  He explained the hazard, that as a practicing plein air painter, one could be driving along and become mesmerized, staring at the shape or color of something, perhaps even something so interesting as the shadow of an underpass.  We all laughed of course, but I recognize the truth of his statement.  After practicing plein air painting for 8 days, I can’t look anywhere now without noticing wonderful value contrasts, delicious color intensities, and patterns of light leading my eye through compositions waiting to be painted.

The first workshop I attended was by invitation.  Twelve painters were selected to be in the “pilot” course for the Apalachicola School of Art Plein Air Academy.  Master plein air artist Don Demers is designing the curriculum, and Joe Taylor of the Apalachicola School of Art is planning the logistics.  Together they will come up with a course to be offered as professional development for the advanced plein air painter.  Don spent a good bit of time talking with each of us, as well as offering constructive tips with our paintings.  Of most practical value to me was his suggestion to set intention before starting a painting, and then to stick to that intention.  He suggested we draw “thumbnail sketches” of our intended paintings first, studying the value relationships and evaluating whether the composition would work as a whole, before we spent 3 hours painting it.  Some of my sketches progressed into paintings, some were mere studies of shapes or ideas discarded as perhaps too complicated or logistically difficult (the one above left required me to stand in an ant pile; the one above right was too complicated for my limited knowledge of fishing boats).

I learned something about photography after doing one such value study, and that is that my iPhone camera does not see the light the way I do.  In fact my camera hardly picked up the power of the light at all.  Here’s a comparison:

2014-0509 Value Sketch, Docked Sailboat iPhoto of Sailboat I Sketched

I completed two paintings and a couple of studies in the Plein Air Academy workshop.  Integrating what I am learning is always difficult — there has to be a period of intense, grinding focus, because painting is for the most part so visceral, and newly learned information so very intellectual.  I found myself completely exhausted by the end of the first several days.  I must have had every muscle in my body tensed as I tried to incorporate what I was learning.  I literally came home, ate supper, and went straight to bed, for the first 3 days.

Here are a few of my paintings from the Apalachicola School of Art Plein Air Academy workshop.

2014-0511 Typical page of Notes Typical page of notes 2014-0506 Port St. Joe Marina 2014-0508 Mooring Buoy
2014-0507 Value Sketch, Marsh 2014-0507 Color sketch for Marsh 2014-0507 Marsh

Over the next few days I attended the Forgotten Coast En Plein Air event workshop with Greg LaRock and Ken Dewaard.  I wish I could remember everything they said.  It was fun to watch the different approaches of two accomplished artists.  Both were very strong on compositional tips.  LaRock often mentioned ways to lead the viewer’s eye through the painting, and Dewaard pointed out subtle color changes to look for, like the change in the tint of shadows depending on how much of the sky color they might be acquiring, or how much of the color of the ground.  Hopefully I absorbed a lot of it, even though I can’t recite it.  Below are the paintings I produced during their workshop.  In the first one, my challenge was to make the pile of rubble, mostly chunks of concrete, look interesting, like a rocky shoreline.  The paintings of the boats  and of the shirts for sale both challenged me to simplify.

2014-0511 Value Sketch, Rocky Shoreline 2014-0511 Port St. Joe Rock-Lined Harbor 2014-0512 Carrabelle Launch
2014-0513 Value Sketch, Shirts For Sale 2014-0513 T-Shirts for Sale, Apalachicola

I actually had energy to paint a few small studies outside of class, the last several days, below.  Apologies for shooting the photos slightly crooked!

2014-05 Morning Light, Two-Mile Channel
Available for purchase. Click the painting for a link to order it!
Oil painting of evening light on Two-Mile Channel, Apalachicola, FL Oil painting of full moon rising over Two-Mile Channel, Apalachicola, FL

NOTE: light added to 2nd painting above, at  https://joanvienotart.wpengine.com/?p=7003

And now back to my day-job!  But the shadows of those underpasses are starting to look mighty interesting!!

3 thoughts on “Learning to See Better through Plein Air Painting

  1. Hi Joan,

    Wow! It sounds like you had a great experience! I sure hope to come back down and paint with you again sometime. I guess you’ve not even stopped for a break since Morgan’s workshop! But all you’ve been up to sounds amazing! If you hear of them needing any more students, let me know!
    ~ Sue Catchings

  2. I enjoyed reading your take on this experience and the events in Appilachicola. That landscape sure does lead the eye back & in the distance, Nice work! It was great to meet you.

  3. Thank you, Jill! It was a pleasure meeting you too, and I am following your successes on Facebook! By the way, we’re talking about having some Northwest Florida plein air paint-outs, between the Pensacola painters, the Emerald Coast Plein Air Painters, and the Artists of Apalachicola Association, maybe 3 paint-outs a year, in each of the 3 regions of NWFL. I’ll put our fearless leader, Ed Nickerson in touch with you.

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